Halley’s Concerto
“The Concerto was a great cry of rebellion. It was a "No" flung at some vast process of torture, a denial of suffering, a denial that held the agony of the struggle to break free. The sounds were like a voice saying: There is
no necessity for pain— why, then, is the worst pain reserved for those who will not accept its necessity?— we who hold the love and the secret of joy, to what punishment have we been sentenced for it, and by whom? . . . The sounds of torture became defiance, the statement of agony became a hymn to a distant vision for whose sake anything was worth enduring, even this. It was the song of rebellion— and of a desperate quest.”
Wyatt’s Ultimatum
“So here is my ultimatum: it is now in your power to destroy me; I may have to go; but if I go, I'll make sure that I take all the rest of you along with me." Somewhere within her, under the numbness that held her still to receive the lashing, she felt a small point of pain, hot like the pain of scalding.
She wanted to tell him of the years she had spent looking for men such as he to work with; she wanted to tell him that his enemies were hers, that she was fighting the same battle; she wanted to cry to him: I'm not one of them! But she knew that she could not do it. She bore the responsibility for Taggart Transcontinental and for everything done in its name; she had no right to justify herself now.
Sitting straight, her glance as steady and open as his, she answered evenly, "You will get the transportation you need, Mr. Wyatt."
She saw a faint hint of astonishment in his face; this was not the manner or the answer he had expected; perhaps it was what she had not said that astonished him most: that she offered no defense, no excuses. He took a moment to study her silently. Then he said, his voice less sharp: "All right. Thank you. Good day."
Dagny is no moocher
“I like to deal with somebody who has no illusions about getting favors."
"Do you know what made me feel relieved, when you decided to take advantage of it?"
"What?"
"That I was dealing, for once, with somebody who doesn't pretend to give favors. "
His smile had a discernible quality now: it was enjoyment. "You always play it open, don't you?" he asked.
"I've never noticed you doing otherwise."
"I thought I was the only one who could afford to."
"I'm not broke, in that sense, Hank."
"I think I'm going to break you some day— in that sense."
"Why?"
"I've always wanted to."
"Don't you have enough cowards around you?"
"That's why I'd enjoy trying it— because you're the only exception. So you think it's right that I should squeeze every penny of profit I can, out of your emergency?"
"Certainly. I'm not a fool. I don't think you're in business for my convenience. "
"Don't you wish I were?"
"I'm not a moocher, Hank."
Nat Taggert’s aqquital
Many stories were whispered about him. It was said that in the wilderness of the Middle West, he murdered a state legislator who attempted to revoke a charter granted to him, to revoke it when his rail was laid halfway across the state; some legislators had planned to make a fortune on Taggart stock— by selling it short. Nat Taggart was indicted for the murder, but the charge could never be proved. He had no trouble with legislators from then on.
How to become a D’anconia
“The reason my family has lasted for such a long lime is that none of us has ever been permitted to think he is born a d'Anconia. We are expected to become one."
The climax of the D’anconias
The d'Anconia heirs had been men of unusual ability, but none of them could match what Francisco d'Anconia promised to become. It was as if the centuries had sifted the family's qualities through a fine mesh, had discarded the irrelevant, the inconsequential, the weak, and had let nothing through except pure talent; as if chance, for once, had achieved an entity devoid of the accidental. Francisco could do anything he undertook, he could do it better than anyone else, and he did it without effort. There was no boasting in his manner and consciousness, no thought of comparison. His attitude was not: "I can do it better than you," but simply: "I can do it." What he meant by doing was doing superlatively….
"I don't know what sort of motto the d'Anconias have on their family crest," Mrs. Taggart said once, "but I'm sure that Francisco will change it to 'What for?' " It was the first question he asked about any activity proposed to him—and nothing would make him act, if he found no valid answer. He flew through the days of his summer month like a rocket, but if one stopped him in mid-flight, he could always name the purpose of his every random moment. Two things were impossible to him: to stand still or to move aimlessly.
"Let's find out" was the motive he gave to Dagny and Eddie for anything he undertook, or "Let's make it." These were his only forms of enjoyment….
"Dagny, I'll always bow to a coat-of-arms. I'll always worship the symbols of nobility. Am I not supposed to be an aristocrat? Only I don't give a damn for moth-eaten turrets and tenth-hand unicorns. The coats-of-arms of our day are to be found on billboards and in the ads of popular magazines." "What do you mean?" asked Eddie. "Industrial trademarks, Eddie," he answered.
Words have an exact meaning
Francisco was fifteen years old, that summer. "When I run d'Anconia Copper . . ." "I'm studying mining and mineralogy, because I must be ready for the time when I run d'Anconia Copper. . . ." "I'm studying electrical engineering, because power companies are the best customers of d'Anconia Copper. . . ." "I'm going to study philosophy, because I'll need it to protect d'Anconia Copper. . . ."
"Don't you ever think of anything but d'Anconia Copper?" Jim asked him once.
"No."
"It seems to me that there are other things in the world."
"Let others think about them."
"Isn't that a very selfish attitude?"
"It is."
"What are you after?"
"Money."
"Don't you have enough?"
"In his lifetime, every one of my ancestors raised the production of d'Anconia Copper by about ten per cent. I intend to raise it by one hundred."
"What for?" Jim asked, in sarcastic imitation of Francisco's voice.
"When I die, I hope to go to heaven—whatever the hell that is— and I want to be able to afford the price of admission.”
"Virtue is the price of admission,"
Jim said haughtily. "That's what I mean, James. So I want to be prepared to claim the greatest virtue of all—that I was a man who made money."
"Any grafter can make money."
"James, you ought to discover some day that words have an exact meaning."
The most depraved type of human being
"Francisco, what's the most depraved type of human being?"
"The man without a purpose."
Romance exactly in reverse
"Mother, do they think it's exactly in reverse?" she asked.
"What?" asked Mrs. Taggart, bewildered.
"The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around?"
"Darling, what do you mean?"
"There wasn't a person there who enjoyed it," she said, her voice lifeless, "or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant."
"Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay."
"How? By being stupid?"
"I mean, for instance, didn't you enjoy meeting the young men?"
"What men? There wasn't a man there I couldn't squash ten of."
How joy did not seem like sin
"Isn't it wonderful that our bodies can give us so much pleasure?" he said to her once, quite simply. They were happy and radiantly innocent. They were both incapable of the conception that joy is sin. They kept their secret from the knowledge of others, not as a shameful guilt, but as a thing that was immaculately theirs, beyond anyone's right of debate or appraisal. She knew the general doctrine on sex, held by people in one form or another, the doctrine that sex was an ugly weakness of man's lower nature, to be condoned regretfully. She experienced an emotion of chastity that made her shrink, not from the desires of her body, but from any contact with the minds who held this doctrine.
Making men more… tractable
"Man? What is man? He's just a collection of chemicals with delusions of grandeur," said Dr. Pritchett to a group of guests across the room. Dr. Pritchett picked a canape off a crystal dish, held it speared between two straight fingers and deposited it whole into his mouth. "Man's metaphysical pretensions," he said, "are preposterous. A miserable bit of protoplasm, full of ugly little concepts and mean little emotions—and it imagines itself important! Really, you know, that is the root of all the troubles in the world."
"But which concepts are not ugly or mean, Professor?" asked an earnest matron whose husband owned an automobile factory.
"None," said Dr. Pritchett, "None within the range of man's capacity."
A young man asked hesitantly, "But if we haven't any good concepts, how do we know that the ones we've got are ugly? I mean, by what standard?"
"There aren't any standards." This silenced his audience. "The philosophers of the past were superficial," Dr. Pritchett went on. "It remained for our century to redefine the purpose of philosophy. The purpose of philosophy is not to help men find the meaning of life, but to prove to them that there isn't any."
An attractive young woman, whose father owned a coal mine, asked indignantly, "Who can tell us that?"
"I am trying to," said Dr. Pritchett. For the last three years, he had been head of the Department of Philosophy at the Patrick Henry University. Lillian Rearden approached, her jewels glittering under the lights. The expression on her face was held to the soft hint of a smile, set and faintly suggested, like the waves of her hair. "It is this insistence of man upon meaning that makes him so difficult," said Dr. Pritchett. "Once he realizes that he is of no importance whatever in the vast scheme of the universe, that no possible significance can be attached to his activities, that it does not matter whether he lives or dies, he will become much more . . . tractable."
Instinct, not knowledge
A free economy cannot exist without competition. Therefore, men must be forced to compete. Therefore, we must control men in order to force them to be free." "But, look . . . isn't that sort of a contradiction?"
"Not in the higher philosophical sense. You must learn to see beyond the static definitions of old-fashioned thinking. Nothing is static in the universe. Everything is fluid."
"But it stands to reason that if—"
"Reason, my dear fellow, is the most naive of all superstitions. That, at least, has been generally conceded in our age,"
"But I don't quite understand how we can—"
"You suffer from the popular delusion of believing that things can be understood. You do not grasp the fact that the universe is a solid contradiction."
"A contradiction of what?" asked the matron.
"Of itself."
"How . . . how's that?"
"My dear madam, the duty of thinkers is not to explain, but to demonstrate that nothing can be explained."
"Yes, of course . . . only . , ,"
"The purpose of philosophy is not to seek knowledge, but to prove that knowledge is impossible to man."
"But when we prove it," asked the young woman, "what's going to be left?"
"Instinct," said Dr. Pritchett reverently.
Defeat and suffering
"The literature of the past," said Balph Eubank, "was a shallow fraud. It whitewashed life in order to please the money tycoons whom it served. Morality, free will, achievement, happy endings, and man as some sort of heroic being—all that stuff is laughable to us. Our age has given depth to literature for the first time, by exposing the real essence of life,"
A very young girl in a white evening gown asked timidly, "What is the real essence of life, Mr. Eubank?"
"Suffering," said Balph Eubank. "Defeat and suffering."
"But . . . but why? People are happy . . . sometimes . . . aren't they?"
"That is a delusion of those whose emotions are superficial."
Equalization of opportunity
"I don't see why there's so much fuss about that Equalization of Opportunity Bill," said Betty Pope aggressively, in the tone of an expert on economics. "I don't see why businessmen object to it. It's to their own advantage. If everybody else is poor, they won't have any market for their goods. But if they stop being selfish and share the goods they've hoarded— they'll have a chance to work hard and produce some more."
"I do not see why industrialists should be considered at all," said Scudder. "When the masses are destitute and yet there are goods available, it's idiotic to expect people to be stopped by some scrap of paper called a property deed. Property rights are a superstition. One holds property only by the courtesy of those who do not seize it. The people can seize it at any moment. If they can, why shouldn't they?"….
"Hunger won't wait," said Claude Slagenhop. "Ideas are just hot air. An empty belly is a solid fact. I've said in all my speeches that it's not necessary to talk too much. Society is suffering for lack of business opportunities at the moment, so we've got the right to seize such opportunities as exist. Right is whatever's good for society."
Everything is something
Balph Eubank had joined the group around Dr. Pritchett, and was saying sullenly, ". . . no, you cannot expect people to understand the higher reaches of philosophy. Culture should be taken out of the hands of the dollar-chasers. We need a national subsidy for literature. It is disgraceful that artists are treated like peddlers and that art works have to be sold like soap." "You mean, your complaint is that they don't sell like soap?" asked Francisco d'Anconia. They had not noticed him approach; the conversation stopped, as if slashed off; most of them had never met him, but they all recognized him at once. "I meant—" Balph Eubank started angrily and closed his mouth; he saw the eager interest on the faces of his audience, but it was not interest in philosophy any longer. "Why, hello, Professor!" said Francisco, bowing to Dr. Pritchett. There was no pleasure in Dr. Pritchett's face when he answered the greeting and performed a few introductions. "We were just discussing a most interesting subject," said the earnest matron. "Dr. Pritchett was telling us that nothing is anything." "He should, undoubtedly, know more than anyone else about that," Francisco answered gravely. "I wouldn't have supposed that you knew Dr. Pritchett so well, Senor d'Anconia," she said, and wondered why the professor looked displeased by her remark. "I am an alumnus of the great school that employs Dr. Pritchett at present, the Patrick Henry University. But I studied under one of his predecessors—Hugh Akston." "Hugh Akston!" the attractive young woman gasped. "But you couldn't have, Senor d'Anconia! You're not old enough. I thought he was one of those great names of . . . of the last century." "Perhaps in spirit, madame. Not in fact." "But I thought he died years ago." "Why, no. He is still alive." "Then why don't we ever hear about him any more?" "He retired, nine years ago." "Isn't it odd? When a politician or a movie star retires, we read front page stories about it. But when a philosopher retires, people do not even notice it." "They do, eventually." A young man said, astonished, "I thought Hugh Akston was one of those classics that nobody studied any more, except in histories of philosophy. I read an article recently which referred to him as the last of the great advocates of reason." "Just what did Hugh Akston teach?" asked the earnest matron. Francisco answered, "He taught that everything is something." "Your loyalty to your teacher is laudable, Senior d'Anconia," said Dr. Pritchett dryly. "May we take it that you are an example of the practical results of his teaching?" "I am."
The wages of being unselfish
Francisco shook his head regretfully. "I don't know why you should call my behavior rotten. I thought you would recognize it as an honest effort to practice what the whole world is preaching. Doesn't everyone believe that it is evil to be selfish? I was totally selfless in regard to the San Sebastian project. Isn't it evil to pursue a personal interest? I had no personal interest in it whatever. Isn't it evil to work for profit? I did not work for profit—I took a loss. Doesn't everyone agree that the purpose and justification of an industrial enterprise are not production, but the livelihood of its employees? The San Sebastian Mines were the most eminently successful venture in industrial history: they produced no copper, but they provided a livelihood for thousands of men who could not have achieved, in a lifetime, the equivalent of what they got for one day's work, which they could not do. Isn't it generally agreed that an owner is a parasite and an exploiter, that it is the employees who do all the work and make the product possible? I did not exploit anyone. I did not burden the San Sebastian Mines with my useless presence; I left them in the hands of the men who count. I did not pass judgment on the value of that property. I turned it over to a mining specialist. He was not a very good specialist, but he needed the job very badly. Isn't it generally conceded that when you hire a man for a job, it is his need that counts, not his ability? Doesn't everyone believe that in order to get the goods, all you have to do is need them? I have carried out every moral precept of our age. I expected gratitude and a citation of honor. I do not understand why I am being damned."
In the silence of those who had listened, the sole comment was the shrill, sudden giggle of Betty Pope: she had understood nothing, but she saw the look of helpless fury on James Taggart's face. People were looking at Taggart, expecting an answer. They were indifferent to the issue, they were merely amused by the spectacle of someone's embarrassment. Taggart achieved a patronizing smile.
"You don't expect me to take this seriously?" he asked.
"There was a time," Francisco answered, "when I did not believe that anyone could take it seriously. I was wrong."
"This is outrageous!" Taggart's voice started to rise. "It's perfectly outrageous to treat your public responsibilities with such thoughtless levity!" He turned to hurry away. Francisco shrugged, spreading his hands.
"You see? I didn't think you wanted to speak to me."
Hank, meet Francisco
"Mr. Rearden," said a strangely quiet voice beside him, "permit me to introduce myself. My name is d'Anconia."
Rearden turned, startled; d'Anconia's manner and voice had a quality he had seldom encountered before: a tone of authentic respect. "How do you do," he answered. His voice was brusque and dry; but he had answered.
"I have observed that Mrs. Rearden has been trying to avoid the necessity of presenting me to you, and I can guess the reason. Would you prefer that I leave your house?" The action of naming an issue instead of evading it, was so unlike the usual behavior of all the men he knew, it was such a sudden, startling relief, that Rearden remained silent for a moment, studying d'Anconia's face. Francisco had said it very simply, neither as a reproach nor a plea, but in a manner which, strangely, acknowledged Rearden's dignity and his own.
"No," said Rearden, "whatever else you guessed, I did not say that." "Thank you. In that case, you will allow me to speak to you." "Why should you wish to speak to me?" "My motives cannot interest you at present." "Mine is not the sort of conversation that could interest you at all." "You are mistaken about one of us, Mr. Rearden, or both. I came to this party solely in order to meet you." There had been a faint tone of amusement in Rearden's voice; now it hardened into a hint of contempt. "You started by playing it straight. Stick to it." "I am." "What did you want to meet me for? In order to make me lose money?" Francisco looked straight at him. "Yes—eventually." "What is it, this time? A gold mine?" Francisco shook his head slowly; the conscious deliberation of the movement gave it an air that was almost sadness. "No," he said, "I don't want to sell you anything. As a matter of fact, I did not attempt to sell the copper mine to James Taggart, either. He came to me for it. You won't." Rearden chuckled. "If you understand that much, we have at least a sensible basis for conversation. Proceed on that. If you don't have some fancy investment in mind, what did you want to meet me for?" "In order to become acquainted with you," "That's not an answer. It's just another way of saying the same thing." "Not quite, Mr. Rearden." "Unless you mean—in order to gain my confidence?" "No. I don't like people who speak or think in terms of gaining anybody's confidence. If one's actions are honest, one does not need the predated confidence of others, only their rational perception. The person who craves a moral blank check of that kind, has dishonest intentions, whether he admits it to himself or not." Rearden's startled glance at him was like the involuntary thrust of a hand grasping for support in a desperate need. The glance betrayed how much he wanted to find the sort of man he thought he was seeing. Then Rearden lowered his eyes, almost closing them, slowly, shutting out the vision and the need. His face was hard; it had an expression of severity, an inner severity directed at himself; it looked austere and lonely. "All right," he said tonelessly. "What do you want, if it's not my confidence?" "I want to learn to understand you." "What for?" "For a reason of my own which need not concern you at present." "What do you want to understand about me?" Francisco looked silently out at the darkness. The fire of the mills was dying down. There was only a faint tinge of red left on the edge of the earth, just enough to outline the scraps of clouds ripped by the tortured battle of the storm in the sky. Dim shapes kept sweeping through space and vanishing, shapes which were branches, but looked as if they were the fury of the wind made visible. "It's a terrible night for any animal caught unprotected on that plain," said Francisco d'Anconia. "This is when one should appreciate the meaning of being a man." Rearden did not answer for a moment; then he said, as if in answer to himself, a tone of wonder in his voice, "Funny . . ." "What?" "You told me what I was thinking just a while ago . . .” "You were?" ". . . only I didn't have the words for it," "Shall I tell you the rest of the words?" "Go ahead." "You stood here and watched the storm _with the greatest pride one can ever feel—because you are able to have summer flowers and half naked women in your house on a night like this, in demonstration of your victory over that storm. And if it weren't for you, most of those who are here would be left helpless at the mercy of that wind in the middle of some such plain." "How did you know that?" In tune with his question., Rearden realized that it was not his thoughts this man had named, but his most hidden, most persona] emotion; and that he, who would never confess his emotions to anyone, had confessed it in his question. He saw the faintest flicker in Francisco's eyes, as of a smile or a check mark. "What would you know about a pride of that kind?" Rearden asked sharply, as if the contempt of the second question could erase the confidence of the first. "That is what I felt once, when I was young." Rearden looked at him. There was neither mockery nor self-pity in Francisco's face; the fine, sculptured planes and the clear, blue eyes held a quiet composure, the face was open, offered to any blow, unflinching. "Why do you want to talk about it?" Rearden asked, prompted by a moment's reluctant compassion. "Let us say—by way of gratitude, Mr. Rearden." "Gratitude to me?" "If you will accept it." Rearden's voice hardened. "I haven't asked for gratitude. I don't need it." "I have not said you needed it. But of all those whom you are saving from the storm tonight, I am the only one who will offer it." After a moment's silence, Rearden asked, his voice low with a sound which was almost a threat, "What are you trying to do?" "I am calling your attention to the nature of those for whom you are working." "It would take a man who's never done an honest day's work in his life, to think or say that." The contempt in Rearden's voice had a note of relief; he had been disarmed by a doubt of his judgment on the character of his adversary; now he felt certain once more. "You wouldn't understand it if I told you that the man who works, works for himself, even if he does carry the whole wretched bunch of you along. Now I'll guess what you're thinking: go ahead, say that it's evil, that I'm selfish, conceited, heartless, cruel. I am. I don't want any part of that tripe about working for others. I'm not." For the first time, he saw the look of a personal reaction in Francisco's eyes, the look of something eager and young. "The only thing that's wrong in what you said," Francisco answered, "is that you permit anyone to call it evil." In Rearden's pause of incredulous silence, he pointed at the crowd in the drawing room. "Why are you willing to carry them?" "Because they're a bunch of miserable children who struggle to remain alive, desperately and very badly, while I—I don't even notice the burden," "Why don't you tell them that?” "What?" "That you're working for your own sake, not theirs." "They know it." "Oh yes, they know it. Every single one of them here knows it. But they don't think you do. And the aim of all their efforts is to keep you from knowing it." "Why should I care what they think?" "Because it's a battle in which one must make one's stand clear." "A battle? What battle? I hold the whip hand. I don't fight the disarmed." "Are they? They have a weapon against you. It's their only weapon, but it's a terrible one. Ask yourself what it is, some time." "Where do you see any evidence of it?" "In the unforgivable fact that you're as unhappy as you are." Rearden could accept any form of reproach, abuse, damnation anyone chose to throw at him; the only human reaction which he would not accept was pity. The stab of a coldly rebellious anger brought him back to the full context of the moment. He spoke, fighting not to acknowledge the nature of the emotion rising within him, "What sort of effrontery are you indulging in? What's your motive?" "Let us say—to give you the words you need, for the time when you'll need them." "Why should you want to speak to me on such a subject?" "In the hope that you will remember it." What he felt, thought Rearden, was anger at the incomprehensible fact that he had allowed himself to enjoy this conversation. He felt a dim sense of betrayal, the hint of an unknown danger. "Do you expect me to forget what you are?" he asked, knowing that this was what he had forgotten. "I do not expect you to think of me at all." Under his anger, the emotion which Rearden would not acknowledge remained unstated and unthought; he knew it only as a hint of pain. Had he faced it, he would have known that he still heard Francisco's voice saying, "I am the only one who will offer it . . . if you will accept it. . . ." He heard the words and the strangely solemn inflection of the quiet voice and an inexplicable answer of his own, something within him that wanted to cry yes, to accept, to tell this man that he accepted, that he needed it— though there was no name for what he needed, it was not gratitude, and he knew that it was not gratitude this man had meant. Aloud, he said, "I didn't seek to talk to you. But you've asked for it and you're going to hear it. To me, there's only one form of human depravity—the man without a purpose." "That is true." "I can forgive all those others, they're not vicious, they're merely helpless. But you—you're the kind who can't be forgiven." "It is against the sin of forgiveness that I wanted to warn you." "You had the greatest chance in life. What have you done with it? If you have the mind to understand all the things you said, how can you speak to me at all? How can you face anyone after the sort of irresponsible destruction you've perpetrated in that Mexican business?" "It is your right to condemn me for it, if you wish." Dagny stood by the corner of the window recess, listening. They did not notice her. She had seen them together and she had approached, drawn by an impulse she could not explain or resist; it seemed crucially important that she know what these two men said to each other. She had heard their last few sentences. She had never thought it possible that she would see Francisco taking a beating. He could smash any adversary in any form of encounter. Yet he stood, offering no defense. She knew that it was not indifference; she knew his face well enough to see the effort his calm cost him—she saw the faint line of a muscle pulled tight across his cheek. "Of all those who live by the ability of others," said Rearden, "you're the one real parasite." "I have given you grounds to think so." "Then what right have you to talk about the meaning of being a man? You're the one who has betrayed it." "I am sorry if I have offended you by what you may rightly consider as a presumption." Francisco bowed and turned to go. Rearden said involuntarily, not knowing that the question negated his anger, that it was a plea to stop this man and hold him, "What did you want to learn to understand about me?" Francisco turned. The expression of his face had not changed; it was still a look of gravely courteous respect. "I have learned it," he answered. Rearden stood watching him as he walked off into the crowd. The figures of a butler, with a crystal dish, and of Dr. Pritchett, stooping to choose another canape, hid Francisco from sight. Rearden glanced out at the darkness; nothing could be seen there but the wind.
John Galt finds Atlantis
"You know what?" "I know who is John Galt." "Who?" Dagny asked tensely, stopping. "I know a man who knew John Galt in person. This man is an old friend of a great-aunt of mine. He was there and he saw it happen. Do you know the legend of Atlantis, Miss Taggart?" "What?" "Atlantis." "Why . . . vaguely." "The Isles of the Blessed. That is what the Greeks called it, thousands of years ago. They said Atlantis was a place where hero-spirits lived in a happiness unknown to the rest of the earth. A place which only the spirits of heroes could enter, and they reached it without dying, because they carried the secret of life within them. Atlantis was lost to mankind, even then. But the Greeks knew that it had existed. They tried to find it. Some of them said it was underground, hidden in the heart of the earth. But most of them said it was an island. A radiant island in the Western Ocean. Perhaps what they were thinking of was America. They never found it. For centuries afterward, men said it was only a legend. They did not believe it, but they never stopped looking for it, because they knew that that was what they had to find." "Well, what about John Galt?" "He found it." Dagny's interest was gone. "Who was he?" "John Galt was a millionaire, a man of inestimable wealth. He was sailing his yacht one night, in mid-Atlantic, fighting the worst storm ever wreaked upon the world, when he found it. He saw it in the depth, where it had sunk to escape the reach of men. He saw the towers of Atlantis shining on the bottom of the ocean. It was a sight of such kind that when one had seen it, one could no longer wish to look at the rest of the earth. John Galt sank his ship and went down with his entire crew. They all chose to do it. My friend was the only one who survived." "How interesting." "My friend saw it with his own eyes," said the woman, offended. "It happened many years ago. But John Galt's family hushed up the story." "And what happened to his fortune? [ don't recall ever hearing of a Galt fortune." "It went down with him." She added belligerently, "You don't have to believe it." "Miss Taggart doesn't," said Francisco d'Anconia. "I do." They turned. He had followed them and he stood looking at them with the insolence of exaggerated earnestness. "Have you ever had faith in anything, Senor d'Anconia?" the woman asked angrily. "No, madame." He chuckled at her brusque departure. Dagny asked coldly, "What's the joke?" "The joke's on that fool woman. She doesn't know that she was telling you the truth."
A magnificent waste
"The joke's on that fool woman. She doesn't know that she was telling you the truth." "Do you expect me to believe that?" "No." "Then what do you find so amusing?" "Oh, a great many things here. Don't you?" "No." "Well, that's one of the things I find amusing." "Francisco, will you leave me alone?" "But I have. Didn't you notice that you were first to speak to me tonight?" "Why do you keep watching me?" "Curiosity." "About what?" "Your reaction to the things which you don't find amusing." "Why should you care about my reaction to anything?" "That is my own way of having a good time, which, incidentally, you are not having, are you, Dagny? Besides, you're the only woman worth watching here." She stood defiantly still, because the way he looked at her demanded an angry escape. She stood as she always did, straight and taut, her head lifted impatiently. It was the unfeminine pose of an executive. But her naked shoulder betrayed the fragility of the body under the black dress, and the pose made her most truly a woman. The proud strength became a challenge to someone's superior strength, and the fragility a reminder that the challenge could be broken. She was not conscious of it. She had met no one able to see it. He said, looking down at her body, "Dagny, what a magnificent waste!" She had to turn and escape. She felt herself blushing, for the first time in years: blushing because she knew suddenly that the sentence named what she had felt all evening. She ran, trying not to think. The music stopped her. It was a sudden blast from the radio. She noticed Mort Liddy, who had turned it on, waving his arms to a group of friends, yelling, "That's it! That's it! I want you to hear it!" The great burst of sound was the opening chords of Halley's Fourth Concerto. It rose in tortured triumph, speaking its denial of pain, its hymn to a distant vision. Then the notes broke. It was as if a handful of mud and pebbles had been flung at the music, and what followed was the sound of the rolling and the dripping. It was Halley's Concerto swung into a popular tune. It was Halley's melody torn apart, its holes stuffed with hiccoughs. The great statement of joy had become the giggling of a barroom. Yet it was still the remnant of Halley’s melody that gave it form; it was the melody that supported it like a spinal cord. "Pretty good?" Mort Liddy was smiling at his friends, boastfully and nervously. "Pretty good, eh? Best movie score of the year. Got me a prize. Got me a long-term contract. Yeah, this was my score for Heaven's in Your Backyard."
Hank loses a battle
d his. He had not known many women. He had moved toward his goal, sweeping aside everything that did not pertain to it in the world and in himself. His dedication to his work was like one of the fires he dealt with, a fire that burned every lesser element, every impurity out of the white stream of a single metal. He was incapable of halfway concerns. But there were times when he felt a sudden access of desire, so violent that it could not be given to a casual encounter. He had surrendered to it, on a few rare occasions through the years, with women he had thought he liked. He had been left feeling an angry emptiness—because he had sought an act of triumph, though he had not known of what nature, but the response he received was only a woman's acceptance of a casual pleasure, and he knew too clearly that what he had won had no meaning. He was left, not with a sense of attainment, but with a sense of his own degradation. He grew to hate his desire. He fought it. He came to believe the doctrine that this desire was wholly physical, a desire, not of consciousness, but of matter, and he rebelled against the thought that his flesh could be free to choose and that its choice was impervious to the will of his mind. He had spent his life in mines and mills, shaping matter to his wishes by the power of his brain—and he found it intolerable that he should be unable to control the matter of his own body. He fought it. He had won his every battle against inanimate nature; but this was a battle he lost. It was the difficulty of the conquest that made him want Lillian. She seemed to be a woman who expected and deserved a pedestal; this made him want to drag her down to his bed. To drag her down, were the words in his mind; they gave him a dark pleasure, the sense of a victory worth winning. He could not understand why—he thought it was an obscene conflict, the sign of some secret depravity within him—why he felt, at the same time, a profound pride at the thought of granting to a woman the title of his wife. The feeling was solemn and shining; it was almost as if he felt that he wished to honor a woman by the act of possessing her. Lillian seemed to fit the image he had not known he held, had not known he wished to find; he saw the grace, the pride, the purity; the rest was in himself; he did not know that he was looking at a reflection. It took him some time after his marriage before he admitted to himself that this was torture. He still remembered the night when he admitted it, when he told himself—the veins of his wrists pulled tight as he stood by the bed, looking down at Lillian—that he deserved the torture and that he would endure it. Lillian was not looking at him; she was adjusting her hair. "May I go to sleep now?" she asked. She had never objected; she had never refused him anything; she submitted whenever he wished. She submitted in the manner of complying with the rule that it was, at times, her duty to become an inanimate object turned over to her husband's use. She did not censure him. She made it clear that she took it for granted that men had degrading instincts which constituted the secret, ugly part of marriage. She was condescendingly tolerant. She smiled, in amused distaste, at the intensity of what he experienced. "It's the most undignified pastime I know of," she said to him once, "but I have never entertained the illusion that men are superior to animals." His desire for her had died in the first week of their marriage. What remained was only a need which he was unable to destroy. He had never entered a whorehouse; he thought, at times, that the self-loathing he would experience there could be no worse than what he felt when he was driven to enter his wife's bedroom. He would often find her reading a book. She would put it aside, with a white ribbon to mark the pages. When lie lay exhausted, his eyes closed, still breathing in gasps, she would turn on the light, pick up the book and continue her reading. He told himself that he deserved the torture, because he had wished never to touch her again and was unable to maintain his decision. He despised himself for that. He despised a need which now held no shred of joy or meaning, which had become the mere need of a woman's body, an anonymous body that belonged to a woman whom he had to forget while he held it. He became convinced that the need was depravity. He did not condemn Lillian. He felt a dreary, indifferent respect for her. His hatred of his own desire had made him accept the doctrine that women were pure and that a pure woman was one incapable of physical pleasure. Through the quiet agony of the years of his marriage, there had been one thought which he would not permit himself to consider; the thought of infidelity. He had given his word. He intended to keep it. It was not loyalty to Lillian; it was not the person of Lillian that he wished to protect from dishonor—but the person of his wife. He thought of that now, standing at the window. He had not wanted to enter her room. He had fought against it. He had fought, more fiercely, against knowing the particular reason why he would not be able to withstand it tonight. Then, seeing her, he had known suddenly that he would not touch her. The reason which had driven him here tonight was the reason which made it impossible for him. He stood still, feeling free of desire, feeling the bleak relief of indifference to his body, to this room, even to his presence here. He had turned away from her, not to see her lacquered chastity. What he thought he should feel was respect; what he felt was revulsion.
A cup of coffee
"It's no use, lady," said the old bum beside her. She had to raise her head. She had to smile in amusement, at him and at herself. "It isn't?" she asked. "No. Forget it. You're only fooling yourself." "About what?" "About anything being worth a damn. It's dust, lady, all of it, dust and blood. Don't believe the dreams they pump you full of, and you won't get hurt." "What dreams?" "The stories they tell you when you're young—about the human spirit. There isn't any human spirit. Man is just a low-grade animal, without intellect, without soul, without virtues or moral values. An animal with only two capacities: to eat and to reproduce." His gaunt face, with staring eyes and shrunken features that had been delicate, still retained a trace of distinction. He looked like the hulk of an evangelist or a professor of esthetics who had spent years in contemplation in obscure museums. She wondered what had destroyed him, what error on the way could bring a man to this. "You go through life looking for beauty, for greatness, for some sublime achievement," he said. "And what do you find? A lot of trick machinery for making upholstered cars or inner-spring mattresses." "What's wrong with inner-spring mattresses?" said a man who looked like a truck driver. "Don't mind him, lady. He likes to hear himself talk. He don't mean no harm." "Man's only talent is an ignoble cunning for satisfying the needs of his body," said the old bum. "No intelligence is required for that. Don't believe the stories about man's mind, his spirit, his ideals, his sense of unlimited ambition." "I don't," said a young boy who sat at the end of the counter. He wore a coat ripped across one shoulder; his square-shaped mouth seemed formed by the bitterness of a lifetime. "Spirit?" said the old bum. "There's no spirit involved in manufacturing or in sex. Yet these are man's only concerns. Matter—that's all men know or care about. As witness our great industries—the only accomplishment of our alleged civilization—built by vulgar materialists with the aims, the interests and the moral sense of hogs. It doesn't take any morality to turn out a ten-ton truck on an assembly line." "What is morality?" she asked. "Judgment to distinguish right and wrong, vision to see the truth, courage to act upon it, dedication to that which is good, integrity to stand by the good at any price. But where does one find it?" The young boy made a sound that was half-chuckle, half-sneer: "Who is John Galt?"
John Galt finds the fountain of youth
"I know who is John Galt," said the tramp. "It's a secret, but I know it." "Who?" she asked without interest. "An explorer," said the tramp. "The greatest explorer that ever lived. The man who found the fountain of youth." "Give me another cup. Black," said the old bum, pushing his cup across the counter. "John Galt spent years looking for it. He crossed oceans, and he crossed deserts, and he went down into forgotten mines, miles under the earth. But he found it on the top of a mountain. It took him ten years to climb that mountain. It broke every bone in his body, it tore the skin off his hands, it made him lose his home, his name, his love. But he climbed it. He found the fountain of youth, which he wanted to bring down to men. Only he never came back." "Why didn't he?" she asked. "Because he found that it couldn't be brought down."
Science and truth
"Dr. Stadler," she asked slowly, "you know the truth, yet you will not state it publicly?" "Miss Taggart, you are using an abstract term, when we are dealing with a matter of practical reality." "We are dealing with a matter of science." "Science? Aren't you confusing the standards involved? It is only in the realm of pure science that truth is an absolute criterion. When we deal with applied science, with technology—we deal with people. And when we deal with people, considerations other than truth enter the question." "What considerations?" "I am not a technologist, Miss Taggart. I have no talent or taste for dealing with people. I cannot become involved in so-called practical matters." "That statement was issued in your name." "I had nothing to do with it!" "The name of this Institute is your responsibility." "That's a perfectly unwarranted assumption." "People think that the honor of your name is the guarantee behind any action of this Institute." "I can't help what people think—if they think at all!" "They accepted your statement. It was a lie." "How can one deal in truth when one deals with the public?" "I don't understand you," she said very quietly. "Questions of truth do not enter into social issues. No principles have ever had any effect on society." "What, then, directs men's actions?" He shrugged. "The expediency of the moment," "Dr. Stadler," she said, "I think I must tell you the meaning and the consequences of the fact that the construction of my branch line is being stopped. I am stopped, in the name of public safety, because I am using the best rail ever produced. In six months, if I do not complete that line, the best industrial section of the country will be left without transportation. It will be destroyed, because it was the best and there were men who thought it expedient to seize a share of its wealth." "Well, that may be vicious, unjust, calamitous—but such is life in society. Somebody is always sacrificed, as a rule unjustly; there is no other way to live among men. What can any one person do?" "You can state the truth about Rearden Metal." He did not answer.
The future of scientific knowledge
"I'll tell you, if you wish. It's the truth that you want, isn't it? Dr. Ferris cannot help it, if the morons who vote the funds for this Institute insist on what they call results. They are incapable of conceiving of such a thing as abstract science. They can judge it only in terms of the latest gadget it has produced for them. I do not know how Dr. Ferris has managed to keep this Institute in existence, I can only marvel at his practical ability. I don't believe he ever was a first-rate scientist—but what a priceless valet of science! I know that he has been facing a grave problem lately. He's kept me out of it, he spares me all that, but I do hear rumors. People have been criticizing the Institute, because, they say, we have not produced enough. The public has been demanding economy. In times like these, when their fat little comforts are threatened, you may be sure that science is the first thing men will sacrifice. This is the only establishment left. There are practically no private research foundations any longer. Look at the greedy ruffians who run our industries. You cannot expect them to support science." "Who is supporting you now?" she asked, her voice low. He shrugged. "Society." She said, with effort, "You were going to tell me the reasons behind that statement." "I wouldn't think you'd find them hard to deduce. If you consider that for thirteen years this Institute has had a department of metallurgical research, which has cost over twenty million dollars and has produced nothing but a new silver polish and a new anti-corrosive preparation, which, I believe, is not so good as the old ones—you can imagine what the public reaction will be if some private individual comes out with a product that revolutionizes the entire science of metallurgy and proves to be sensationally successful!" Her head dropped. She said nothing. "I don't blame our metallurgical department!" he said angrily. "I know that results of this kind are not a matter of any predictable time. But the public won't understand it. What, then, should we sacrifice? An excellent piece of smelting—or the last center of science left on earth, and the whole future of human knowledge? That is the alternative."
How not to take pain and suffering
She read the interview where he said, "Why should I wish to make money? I have enough to permit three generations of descendants to have as good a time as I'm having." She saw him once, at a reception given by an ambassador in New York. He bowed to her courteously, he smiled, and he looked at her with a glance in which no past existed. She drew him aside. She said only, "Francisco, why?" "Why—what?" he asked. She turned away. "I warned you," he said. She did not try to see him again. She survived it. She was able to survive it, because she did not believe in suffering. She faced with astonished indignation the ugly fact of feeling pain, and refused to let it matter. Suffering was a senseless accident, it was not part of life as she saw it. She would not allow pain to become important. She had no name for the kind of resistance she offered, for the emotion from which the resistance came; but the words that stood as its equivalent in her mind were: It does not count —it is not to be taken seriously. She knew these were the words, even in the moments when there was nothing left within her but screaming and she wished she could lose the faculty of consciousness so that it would not tell her that what could not be true was true. Not to be taken seriously—an immovable certainty within her kept repeating— pain and ugliness are never to be taken seriously.
Non-contradiction
“Contradictions do not exist. Whenever you think that you are facing a contradiction, check your premises. You will find that one of them is wrong."
Calm under fire
He had attended to the matter without breaking his chain of appointments, without raising his voice, without sign of strain, uncertainty or apprehension; he had acted with the swift precision of a military commander under sudden fire.
Hank peeps into the abyss
Destroyed at the whim of some men who sat and voted . . . Who knows by what minds? . . . Who knows whose will had placed them in power?— what motive moved them?—what was their knowledge?—which one of them, unaided, could bring a chunk of ore out of the earth? . . . Destroyed at the whim of men whom he had never seen and who had never seen those tiers of metal . . . Destroyed, because they so decided. By what right? He shook his head. There are things one must not contemplate, he thought. There is an obscenity of evil which contaminates the observer. There is a limit to what it is proper for a man to see. He must not think of this, or look within it, or try to learn the nature of its roots.
The John Galt line opens
"Miss Taggart," he called after her, "who is John Galt?" She turned, hanging onto a metal bar with one hand, suspended for an instant above the heads of the crowd.
"We are!" she answered.
Ownership
He stood, hands in pockets, feet apart, braced against the motion, looking ahead. There was nothing he could now care to see by the side of the track: he was looking at the rail. Ownership—she thought, glancing back at him—weren't there those who knew nothing of its nature and doubted its reality? No, it was not made of papers, seals, grants and permissions. There it was—in his eyes.
Not trusting, but knowing
She looked ahead, at the haze that melted rail and distance, a haze that could rip apart at any moment to some shape of disaster. She wondered why she felt safer than she had ever felt in a car behind the engine, safer here, where it seemed as if, should an obstacle rise, her breast and the glass shield would be first to smash against it. She smiled, grasping the answer: it was the security of being first, with full sight and full knowledge of one's course—not the blind sense of being pulled into the unknown by some unknown power ahead. It was the greatest sensation of existence: not to trust, but to know.
Movement and Aim
It was a strange foreshortening between sight and touch, she thought, between wish and fulfillment, between—the words clicked sharply in her mind after a startled stop—between spirit and body. First, the vision—then the physical shape to express it. First, the thought—then the purposeful motion down the straight line of a single track to a chosen goal. Could one have any meaning without the other? Wasn't it evil to wish without moving—or to move without aim? Whose malevolence was it that crept through the world, struggling to break the two apart and set them against each other?
Hank and Dagny Enjoy a Train Ride
Was this the pursuit men regarded as evil? Was this what they called an ignoble concern with the physical world? Was this the state of being enslaved by matter? Was this the surrender of man's spirit to his body? She shook her head, as if she wished she could toss the subject out of the window and let it get shattered somewhere along the track. She looked at the sun on the summer fields. She did not have to think, because these questions were only details of a truth she knew and had always known. Let them go past like the telegraph poles. The thing she knew was like the wires flying above in an unbroken line. The words for it, and for this journey, and for her feeling, and for the whole of man's earth, were: It's so simple and so right! She looked out at the country. She had been aware for some time of the human figures that flashed with an odd regularity at the side of the track. But they went by so fast that she could not grasp their meaning until, like the squares of a movie film, brief flashes blended into a whole and she understood it. She had had the track guarded since its completion, but she had not hired the human chain she saw strung out along the right-of-way. A solitary figure stood at every mile post. Some were young schoolboys, others were so old that the silhouettes of their bodies looked bent against the sky. All of them were armed, with anything they had found, from costly rifles to ancient muskets. All of them wore railroad caps. They were the sons of Taggart employees, and old railroad men who had retired after a full lifetime of Taggart service. They had come, unsummoned, to guard this train. As the engine went past him, every man in his turn stood erect, at attention, and raised his gun in a military salute. When she grasped it, she burst out laughing, suddenly, with the abruptness of a cry. She laughed, shaking, like a child; it sounded like sobs of deliverance. Pat Logan nodded to her with a faint smile; he had noted the guard of honor long ago. She leaned to the open window, and her arm swept in wide curves of triumph, waving to the men by the track. On the crest of a distant hill, she saw a crowd of people, their arms swinging against the sky. The gray houses of a village were scattered through a valley below, as if dropped there once and forgotten; the roof lines slanted, sagging, and the years had washed away the color of the walls. Perhaps generations had lived there, with nothing to mark the passage of their days but the movement of the sun from east to west. Now, these men had climbed the hill to see a silver-headed comet cut through their plains like the sound of a bugle through a long weight of silence. As houses began to come more frequently, closer to the track, she saw people at the windows, on the porches, on distant roofs. She saw crowds blocking the roads at grade crossings. The roads went sweeping past like the spokes of a fan, and she could not distinguish human figures, only their arms greeting the train like branches waving in the wind of its speed. They stood under the swinging red lights of warning signals, under the signs saying; "Stop. Look. Listen." The station past which they flew, as they went through a town at a hundred miles an hour, was a swaying sculpture of people from platform to roof. She caught the flicker of waving arms, of hats tossed in the air, of something flung against the side of the engine, which was a bunch of flowers. As the miles clicked past them, the towns went by, with the stations at which they did not stop, with the crowds of people who had come only to see, to cheer and to hope. She saw garlands of flowers under the sooted eaves of old station buildings, and bunting of red-white-and-blue on the time-eaten walls. It was like the pictures she had seen—and envied—in schoolbook histories of railroads, from the era when people gathered to greet the first run of a train. It was like the age when Nat Taggart moved across the country, and the stops along his way were marked by men eager for the sight of achievement. That age, she had thought, was gone; generations had passed, with no event to greet anywhere, with nothing to see but the cracks lengthening year by year on the walls built by Nat Taggart. Yet men came again, as they had come in his time, drawn by the same response. She glanced at Rearden. He stood against the wall, unaware of the crowds, indifferent to admiration. He was watching the performance of track and train with an expert's intensity of professional interest; his bearing suggested that he would kick aside, as irrelevant, any thought such as 'They like it," when the thought ringing in his mind was "It works!" His tall figure in the single gray of slacks and shirt looked as if his body were stripped for action. The slacks stressed the long lines of his legs, the light, firm posture of standing without effort or being ready to swing forward at an instant's notice; the short sleeves stressed the gaunt strength of his arms; the open shirt bared the tight skin of his chest. She turned away, realizing suddenly that she had been glancing back at him too often. But this day had no ties to past or future—her thoughts were cut off from implications—she saw no further meaning, only the immediate intensity of the feeling that she was imprisoned with him, sealed together in the same cube of air, the closeness of his presence underscoring her awareness of this day, as his rails underscored the flight of the train. She turned deliberately and glanced back. He was looking at her. He did not turn away, but held her glance, coldly and with full intention. She smiled defiantly, not letting herself know the full meaning of her smile, knowing only that it was the sharpest blow she could strike at his inflexible face. She felt a sudden desire to see him trembling, to tear a cry out of him. She turned her head away, slowly, feeling a reckless amusement, wondering why she found it difficult to breathe. She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special selfconsciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead—every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it? The towns had been left behind. The track was rising through a country growing more grimly reluctant to permit approach. The rails kept vanishing behind curves, and the ridges of hills kept moving closer, as if the plains were being folded into pleats. The flat stone shelves of Colorado were advancing to the edge of the track—and the distant reaches of the sky were shrinking into waves of bluish mountains. Far ahead, they saw a mist of smoke over factory chimneys—then the web of a power station and the lone needle of a steel structure. They were approaching Denver. She glanced at Pat Logan. He was leaning forward a little farther; she saw a slight tightening in the fingers of his hand and in his eyes. He knew, as she did, the danger of crossing a city at the speed they were traveling. It was a succession of minutes, but it hit them as a single whole. First, they saw the lone shapes, which were factories, rolling across their windowpanes—then the shapes fused into the blur of streets—then a delta of rails spread out before them, like the mouth of a funnel sucking them into the Taggart station, with nothing to protect them but the small green beads of lights scattered over the ground—from the height of the cab, they saw boxcars on sidings streak past as flat ribbons of roof tops —the black hole of the train-shed flew at their faces—they hurtled through an explosion of sound, the beating of wheels against the glass panes of a vault, and the screams of cheering from a mass that swayed like a liquid in the darkness among steel columns—they flew toward a glowing arch and the green lights hanging in the open sky beyond, the green lights that were like the doorknobs of space, throwing door after door open before them. Then, vanishing behind them, went the streets clotted with traffic, the open windows bulging with human figures, the screaming sirens, and—from the top of a distant skyscraper—a cloud of paper snowflakes shimmering on the air, flung by someone who saw the passage of a silver bullet across a city stopped still to watch it. Then they were out again, on a rocky grade—and with shocking suddenness, the mountains were before them, as if the city had flung them straight at a granite wall, and a thin ledge had caught them in time. They were clinging to the side of a vertical cliff, with the earth rolling down, dropping away, and giant tiers of twisted boulders streaming up and shutting out the sun, leaving them to speed through a bluish twilight, with no sight of soil or sky. The curves of rail became coiling circles among walls that advanced to grind them off their sides. But the track cut through at times and the mountains parted, flaring open like two wings at the tip of the rail—one wing green, made of vertical needles, with whole pines serving as the pile of a solid carpet—the other reddish-brown, made of naked rock. She looked down through the open window and saw the silver side of the engine hanging over empty space. Far below, the thin thread of a stream went falling from ledge to ledge, and the ferns that drooped to the water were the shimmering tops of birch trees. She saw the engine's tail of boxcars winding along the face of a granite drop—and miles of contorted stone below, she saw the coils of green-blue rail unwinding behind the train. A wall of rock shot upward in their path, filling the windshield, darkening the cab, so close that it seemed as if the remnant of time could not let them escape it. But she heard the screech of wheels on curve, the light came bursting back—and she saw an open stretch of rail on a narrow shelf. The shelf ended in space. The nose of the engine was aimed straight at the sky. There was nothing to stop them but two strips of green-blue metal strung in a curve along the shelf. To take the pounding violence of sixteen motors, she thought, the thrust of seven thousand tons of steel and freight, to withstand it, grip it and swing it around a curve, was the impossible feat performed by two strips of metal no wider than her arm. What made it possible? What power had given to an unseen arrangement of molecules the power on which their lives depended and the lives of all the men who waited for the eighty boxcars? She saw a man's face and hands in the glow of a laboratory oven, over the white liquid of a sample of metal. She felt the sweep of an emotion which she could not contain, as of something bursting upward. She turned to the door of the motor units, she threw it open to a screaming jet of sound and escaped into the pounding of the engine's heart. For a moment, it was as if she were reduced to a single sense, the sense of hearing, and what remained of her hearing was only a long, rising, falling, rising scream. She stood in a swaying, sealed chamber of metal, looking at the giant generators. She had wanted to see them, because the sense of triumph within her was bound to them, to her love for them, to the reason of the life-work she had chosen. In the abnormal clarity of a violent emotion, she felt as if she were about to grasp something she had never known and had to know. She laughed aloud, but heard no sound of it; nothing could be heard through the continuous explosion. "The John Galt Line!" she shouted, for the amusement of feeling her voice swept away from her lips. She moved slowly along the length of the motor units, down a narrow passage between the engines and the wall. She felt the immodesty of an intruder, as if she had slipped inside a living creature, under its silver skin, and were watching its life beating in gray metal cylinders, in twisted coils, in sealed tubes, in the convulsive whirl of blades in wire cages. The enormous complexity of the shape above her was drained by invisible channels, and the violence raging within it was led to fragile needles on glass dials, to green and red beads winking on panels, to tall, thin cabinets stenciled "High Voltage." Why had she always felt that joyous sense of confidence when looking at machines?—she thought. In these giant shapes, two aspects pertaining to the inhuman were radiantly absent: the causeless and the purposeless. Every part of the motors was an embodied answer to "Why?" and "What for?"—like the steps of a life-course chosen by the sort of mind she worshipped. The motors were a moral code cast in steel. They are alive, she thought, because they are the physical shape of the action of a living power—of the mind that had been able to grasp the whole of this complexity, to set its purpose, to give it form. For an instant, it seemed to her that the motors were transparent and she was seeing the net of their nervous system. It was a net of connections, more intricate, more crucial than all of their wires and circuits: the rational connections made by that human mind which had fashioned any one part of them for the first time. They are alive, she thought, but their soul operates them by remote control. Their soul is in every man who has the capacity to equal this achievement. Should the soul vanish from the earth, the motors would stop, because that is the power which keeps them going—not the oil under the floor under her feet, the oil that would then become primeval ooze again—not the steel cylinders that would become stains of rust on the walls of the caves of shivering savages—the power of a living mind —the power of thought and choice and purpose. She was making her way back toward the cab, feeling that she wanted to laugh, to kneel or to lift her arms, wishing she were able to release the thing she felt, knowing that it had no form of expression. She stopped She saw Rearden standing by the steps of the door to the cab. He was looking at her as if he knew why she had escaped and what she felt. They stood still, their bodies becoming a glance that met across a narrow passage. The beating within her was one with the beating of the motors—and she felt as if both came from him; the pounding rhythm wiped out her will. They went back to the cab, silently, knowing that there had been a moment which was not to be mentioned between them. The cliffs ahead were a bright, liquid gold. Strips of shadow were lengthening in the valleys below. The sun was descending to the peaks in the west. They were going west and up, toward the sun. The sky had deepened to the greenish-blue of the rails, when they saw smokestacks in a distant valley. It was one of Colorado's new towns, the towns that had grown like a radiation from the Wyatt oil fields. She saw the angular lines of modern houses, flat roofs, great sheets of windows. It was too far to distinguish people. In the moment when she thought that they would not be watching the train at that distance, a rocket shot out from among the buildings, rose high above the town and broke as a fountain of gold stars against the darkening sky. Men whom she could not see, were seeing the streak of the train on the side of the mountain, and were sending a salute, a lonely plume of fire in the dusk, the symbol of celebration or of a call for help. Beyond the next turn, in a sudden view of distance, she saw two dots of electric light, white and red, low in the sky. They were not airplanes '—she saw the cones of metal girders supporting them—and in the moment when she knew that they were the derricks of Wyatt Oil, she saw that the track was sweeping downward, that the earth flared open, as if the mountains were flung apart—and at the bottom, at the foot of the Wyatt hill, across the dark crack of a canyon, she saw the bridge of Rearden Metal. They were flying down, she forgot the careful grading, the great curves of the gradual descent, she felt as if the train were plunging downward, head first, she watched the bridge growing to meet them—a small, square tunnel of metal lace work, a few beams criss-crossed through the air, green-blue and glowing, struck by a long ray of sunset light from some crack in the barrier of mountains. There were people by the bridge, the dark splash of a crowd, but they rolled off the edge of her consciousness. She heard the rising, accelerating sound of the wheels—and some theme of music, heard to the rhythm of wheels, kept tugging at her mind, growing louder—it burst suddenly within the cab, but she knew that it was only in her mind; the Fifth Concerto by Richard Halley—she thought: did he write it for this? had he known a feeling such as this?— they were going faster, they had left the ground, she thought, flung off by the mountains as by a springboard, they were now sailing through space— it's not a fair test, she thought, we're not going to touch that bridge—she saw Rearden's face above her, she held his eyes and her head leaned back, so that her face lay still on the air under his face— they heard a ringing blast of metal, they heard a drum roll under their feet, the diagonals of the bridge went smearing across the windows with the sound of a metal rod being run along the pickets of a fence—then the windows were too suddenly clear, the sweep of their downward plunge was carrying them up a hill, the derricks of Wyatt Oil were reeling before them—Pat Logan turned, glancing up at Rearden with the hint of a smile—and Rearden said, "That's that." The sign on the edge of a roof read: Wyatt Junction. She stared, feeling that there was something odd about it, until she grasped what it was: the sign did not move. The sharpest jolt of the journey was the realization that the engine stood still. She heard voices somewhere, she looked down and saw that there were people on the platform. Then the door of the cab was flung open, she knew that she had to be first to descend, and she stepped to the edge. For the flash of an instant, she felt the slenderness of her own body, the lightness of standing full-figure in a current of open air. She gripped the metal bars and started down the ladder. She was halfway down when she felt the palms of a man's hands slam tight against her ribs and waistline, she was torn off the steps, swung through the air and deposited on the ground. She could not believe that the young boy laughing in her face was Ellis Wyatt. The tense, scornful face she remembered, now had the purity, the eagerness, the joyous benevolence of a child in the kind of world for which he had been intended. She was leaning against his shoulder, feeling unsteady on the motionless ground, with his arm about her, she was laughing, she was listening to the things he said, she was answering, "But didn't you know we would?" In a moment, she saw the faces around them. They were the bondholders of the John Galt Line, the men who were Nielsen Motors, Hammond Cars, Stockton Foundry and all the others. She shook their hands, and there were no speeches; she stood against Ellis Wyatt, sagging a little, brushing her hair away from her eyes, leaving smudges of soot on her forehead. She shook the hands of the men of the train's crew, without words, with the seal of the grins on their faces. There were flash bulbs exploding around them, and men waving to them from the riggings of the oil wells on the slopes of the mountains. Above her head, above the heads of the crowd, the letters TT on a silver shield were hit by the last ray of a sinking sun. Ellis Wyatt had taken charge. He was leading her somewhere, the sweep of his arm cutting a path for them through the crowd, when one of the men with the cameras broke through to her side. "Miss Taggart," he called, "will you give us a message for the public?" Ellis Wyatt pointed at the long string of freight cars. "She has."
Hank and Dagny Discuss Depravity "I want you to know this." He stood by the bed, dressed, looking down at her. His voice had pronounced it evenly, with great clarity and no inflection. She looked up at him obediently. He said: "What I feel for you is contempt. But it's nothing, compared to the contempt I feel for myself. I don't love you. I've never loved anyone. I wanted you from the first moment I saw you. I wanted you as one wants a whore—for the same reason and purpose. I spent two years damning myself, because I thought you were above a desire of this kind. You're not. You're as vile an animal as I am. I should loathe my discovering it. I don't. Yesterday, I would have killed anyone who'd tell me that you were capable of doing what I've had you do. Today, I would give my life not to let it be otherwise, not to have you be anything but the bitch you are. All the greatness that I saw in you—I would not take it in exchange for the obscenity of your talent at an animal's sensation of pleasure. We were two great beings, you and I, proud of our strength, weren't we? Well, this is all that's left of us—and I want no self-deception about it." He spoke slowly, as if lashing himself with his words. There was no sound of emotion in his voice, only the lifeless pull of effort; it was not the tone of a man's willingness to speak, but the ugly, tortured sound of duty. "I held it as my honor that I would never need anyone. I need you. It had been my pride that I had always acted on my convictions. I've given in to a desire which I despise. It is a desire that has reduced my mind, my will, my being, my power to exist into an abject dependence upon you—not even upon the Dagny Taggart whom I admired—but upon your body, your hands, your mouth and the few seconds of a convulsion of your muscles. I had never broken my word. Now I've broken an oath I gave for life. I had never committed an act that had to be hidden. Now I am to lie, to sneak, to hide. Whatever I wanted, I was free to proclaim it aloud and achieve it in the sight of the whole world. Now my only desire is one I loathe to name even to myself. But it is my only desire. I'm going to have you—I'd give up everything I own for it, the mills, the Metal, the achievement of my whole life. I'm going to have you at the price of more than myself: at the price of my self esteem—and I want you to know it. I want no pretense, no evasion, no silent indulgence, with the nature of our actions left unnamed. I want no pretense about love, value, loyalty or respect. I want no shred of honor left to us, to hide behind. I've never begged for mercy. I've chosen to do this—and I'll take all the consequences, including the full recognition of my choice. It's depravity—and I accept it as such—and there is no height of virtue that I wouldn't give up for it. Now if you wish to slap my face, go ahead. I wish you would." She had listened, sitting up straight, holding the blanket clutched at her throat to cover her body. At first, he had seen her eyes growing dark with incredulous shock. Then it seemed to him that she was listening with greater attentiveness, but seeing more than his face, even though her eyes were fixed on his. She looked as if she were studying intently some revelation that had never confronted her before. He felt as if some ray of light were growing stronger on his face, because he saw its reflection on hers, as she watched him—he saw the shock vanishing, then the wonder—he saw her face being smoothed into a strange serenity that seemed quiet and glittering at once. When he stopped, she burst out laughing. The shock to him was that he heard no anger in her laughter. She laughed simply, easily, in joyous amusement, in release, not as one laughs at the solution of a problem, but at the discovery that no problem had ever existed. She threw the blanket off with a stressed, deliberate sweep of her arm. She stood up. She saw her clothes on the floor and kicked them aside. She stood facing him, naked. She said: "I want you, Hank. I'm much more of an animal than you think. I wanted you from the first moment I saw you—and the only thing I'm ashamed of is that I did not know it. I did not know why, for two years, the brightest moments I found were the ones in your office, where I could lift my head to look up at you. I did not know the nature of what I felt in your presence, nor the reason. I know it now. That is all I want, Hank. I want you in my bed—and you are free of me for all the rest of your time. There's nothing you'll have to pretend—don't think of me, don't feel, don't care—I do not want your mind, your will, your being or your soul, so long as it's to me that you will come for that lowest one of your desires. I am an animal who wants nothing but that sensation of pleasure which you despise--but I want it from you. You'd give up any height of virtue for it, while I—I haven't any to give up. There's none I seek or wish to reach. I am so low that I would exchange the greatest sight of beauty in the world for the sight of your figure in the cab of a railroad engine. And seeing it, I would not be able to see it indifferently. You don't have to fear that you're now dependent upon me. It's I who will depend on any whim of yours. You’ll have me any time you wish, anywhere, on any. terms. Did you call it the obscenity of my talent? It's such that it gives you a safer hold on me than on any other property you own. You may dispose of me as you please—I'm not afraid to admit it—L have nothing to protect from you and nothing to reserve. You think that this is a threat to your achievement, but it is not to mine. I will sit at my desk, and work, and when the things around me get hard to bear, I will think that for my reward I will be in your bed that night. Did you call it depravity? I am much more depraved than you are: you hold it as your guilt, and I—as my pride. I'm more proud of it than of anything I've done, more proud than of building the Line. If I'm asked to name my proudest attainment, I will say: I have slept with Hank Rearden. I had earned it.'1 When he threw her down on the bed, their bodies met like the two sounds that broke against each other in the air of the room: the sound of his tortured moan and of her laughter.
Danconia, on the Root of All Evil
Standing unnoticed on the edge of the group, Rearden heard a woman, who had large diamond earrings and a flabby, nervous face, ask tensely, "Senior d'Anconia, what do you think is going to happen to the world?" "Just exactly what it deserves," "Oh, how cruel!" "Don't you believe in the operation of the moral law, madame?" Francisco asked gravely. "I do." Rearden heard Bertram Scudder, outside the group, say to a girl who made some sound of indignation, "Don't let him disturb you. You know, money is the root of all evil—and he's the typical product of money." Rearden did not think that Francisco could have heard it, but he saw Francisco turning to them with a gravely courteous smile. "So you think that money is the root of all evil?" said Francisco d'Anconia. "Have you ever asked what is the root of money? Money is a tool of exchange, which can't exist unless there are goods produced and men able to produce them. Money is the material shape of the principle that men who wish to deal with one another must deal by trade and give value for value. Money is not the tool of the moochers, who claim your product by tears, or of the looters, who take it from you by force. Money is made possible only by the men who produce. Is this what you consider evil? "When you accept money in payment for your effort, you do so only on the conviction that you will exchange it for the product of the effort of others. It is not the moochers or the looters who give value to money. Not an ocean of tears nor all the guns in the world can transform those pieces of paper in your wallet into the bread you will need to survive tomorrow. Those pieces of paper, which should have been gold, are a token of honor—your claim upon the energy of the men who produce. Your wallet is your statement of hope that somewhere in the world around you there are men who will not default on that moral principle which is the root of money. Is this what you consider evil? "Have you ever looked for the root of production? Take a look at an electric generator and dare tell yourself that it was created by the muscular effort of unthinking brutes. Try to grow a seed of wheat without the knowledge left to you by men who had to discover it for the first time. Try to obtain your food by means of nothing but physical motions—and you'll learn that man's mind is the root of all the goods produced and of all the wealth that has ever existed on earth. "But you say that money is made by the strong at the expense of the weak? What strength do you mean? It is not the strength of guns or muscles. Wealth is the product of man's capacity to think. Then is money made by the man who invents a motor at the expense of those who did not invent it? Is money made by the intelligent at the expense of the fools? By the able at the expense of the incompetent? By the ambitious at the expense of the lazy? Money is made— before it can be looted or mooched—made by the effort of every honest man, each to the extent of his ability. An honest man is one who knows that he can't consume more than he has produced. "To trade by means of money is the code of the men of good will. Money rests on the axiom that every man is the owner of his mind and his effort. Money allows no power to prescribe the value of your effort except the voluntary choice of the man who is willing to trade you his effort in return. Money permits you to obtain for your goods and your labor that which they are worth to the men who buy them, but no more. Money permits no deals except those to mutual benefit by the unforced judgment of the traders. Money demands of you the recognition that men must work for their own benefit, not for their own injury, for their gain, not their loss—the recognition that they are not beasts of burden, born to carry the weight of your misery—that you must offer them values, not wounds—that the common bond among men is not the exchange of suffering, but the exchange of goods. Money demands that you sell, not your weakness to men's stupidity, but your talent to their reason; it demands that you buy, not the shoddiest they offer, but the best that your money can find. And when men live by trade—with reason, not force, as their final arbiter—it is the best product that wins, the best performance, the man of best judgment and highest ability—and the degree of a man's productiveness is the degree of his reward. This is the code of existence whose tool and symbol is money. Is this what you consider evil? "But money is only a tool. It will take you wherever you wish, but it will not replace you as the driver. It will give you the means for the satisfaction of your desires, but it will not provide you with desires. Money is the scourge of the men who attempt to reverse the law of causality—the men who seek to replace the mind by seizing the products of the mind. "Money will not purchase happiness for the man who has no concept of what he wants: money will not give him a code of values, if he's evaded the knowledge of what to value, and it will not provide him with a purpose, if he's evaded the choke of what to seek. Money will not buy intelligence for the fool, or admiration for the coward, or respect for the incompetent. The man who attempts to purchase the brains of his superiors to serve him, with his money replacing his judgment, ends up by becoming the victim of his inferiors. The men of intelligence desert him, but the cheats and the frauds come flocking to him, drawn by a law which he has not discovered: that no man may be smaller than his money. Is this the reason why you call it evil? "Only the man who does not need it, is fit to inherit wealth—the man who would make his own fortune no matter where he started. If an heir is equal to his money, it serves him; if not, it destroys him. But you look on and you cry that money corrupted him. Did it? Or did he corrupt his money? Do not envy a worthless heir; his wealth is not yours and you would have done no better with it. Do not think that it should have been distributed among you; loading the world with fifty parasites instead of one, would not bring back the dead virtue which was the fortune. Money is a living power that dies without its root. Money will not serve the mind that cannot match it. Is this the reason why you call it evil? "Money is your means of survival. The verdict you pronounce upon the source of your livelihood is the verdict you pronounce upon your life. If the source is corrupt, you have damned your own existence. Did you get your money by fraud? By pandering to men's vices or men's stupidity? By catering to fools, in the hope of getting more than your ability deserves? By lowering your standards? By doing work you despise for purchasers you scorn? If so, then your money will not give you a moment's or a penny's worth of joy. Then all the things you buy will become, not a tribute to you, but a reproach; not an achievement, but a reminder of shame. Then you'll scream that money is evil. Evil, because it would not pinch-hit for your self-respect? Evil, because it would not let you enjoy your depravity? Is this the root of your hatred of money? "Money will always remain an effect and refuse to replace you as the cause. Money is the product of virtue, but it will not give you virtue and it will not redeem your vices. Money will not give you the unearned, neither in matter nor in spirit. Is this the root of your hatred of money? "Or did you say it's the love of money that's the root of all evil? To love a thing is to know and love its nature. To love money is to know and love the fact that money is the creation of the best power within you, and your passkey to trade your effort for the effort of the best among men. It's the person who would sell his soul for a nickel, who is loudest in proclaiming his hatred of money—and he has good reason to hate it. The lovers of money are willing to work for it. They know they are able to deserve it. "Let me give you a tip on a clue to men's characters: the man who damns money has obtained it dishonorably; the man who respects it has earned it. "Run for your life from any man who tells you that money is evil. That sentence is the leper's bell of an approaching looter. So long as men live together on earth and need means to deal with one another— their only substitute, if they abandon money, is the muzzle of a gun. "But money demands of you the highest virtues, if you wish to make it or to keep it. Men who have no courage, pride or self-esteem, men who have no moral sense of their right to their money and are not willing to defend it as they defend their life, men who apologize for being rich—will not remain rich for long. They are the natural bait for the swarms of looters that stay under rocks for centuries, but come crawling out at the first smell of a man who begs to be forgiven for the guilt of owning wealth. They will hasten to relieve him of the guilt— and of his life, as he deserves. "Then you will see the rise of the men of the double standard—the men who live by force, yet count on those who live by trade to create the value of their looted money—the men who are the hitchhikers of virtue. In a moral society, these are the criminals, and the statutes are written to protect you against them. But when a society establishes criminals-by-right and lootersby-law—men who use force to seize the wealth of disarmed victims—then money becomes its creators' avenger. Such looters believe it safe to rob defenseless men, once they've passed a law to disarm them. But their loot becomes the magnet for other looters, who get it from them as they got it. Then the race goes, not to the ablest at production, but to those most ruthless at brutality. When force is the standard, the murderer wins over the pickpocket. And then that society vanishes, in a spread of ruins and slaughter. "Do you wish to know whether that day is coming? Watch money. Money is the barometer of a society's virtue. When you see that trading is done, not by consent, but by compulsion—when you see that in order to produce, you need to obtain permission from men who produce nothing—when you see that money is flowing to those who deal, not in goods, but in favors—when you see that men get richer by graft and by pull than by work, and your laws don't protect you against them, but protect them against you—when you see corruption being rewarded and honesty becoming a self-sacrifice—you may know that your society is doomed. Money is so noble a medium that it does not compete with guns and it does not make terms with brutality. It will not permit a country to survive as half-property, half-loot. "Whenever destroyers appear among men, they start by destroying money, for money is men's protection and the base of a moral existence. Destroyers seize gold and leave to its owners a counterfeit pile of paper. This kills all objective standards and delivers men into the arbitrary power of an arbitrary setter of values. Gold was an objective value, an equivalent of wealth produced. Paper is a mortgage on wealth that does not exist, backed by a gun aimed at those who are expected to "produce it. Paper is a check drawn by legal looters upon an account which is not theirs: upon the virtue of the victims. Watch for the day when it bounces, marked: 'Account overdrawn.' "When you have made evil the means of survival, do not expect men to remain good. Do not expect them to stay moral and lose their lives for the purpose of becoming the fodder of the immoral. Do not expect them to produce, when production is punished and looting rewarded. Do not ask, 'Who is destroying the world?' You are. "You stand in the midst of the greatest achievements of the greatest productive civilization and you wonder why it's crumbling around you, while you're damning its life-blood—-money. You look upon money as the savages did before you, and you wonder why the jungle is creeping back to the edge of your cities. Throughout men's history, money was always seized by looters of one brand or another, whose names changed, but whose method remained the same: to seize wealth by force and to keep the producers bound, demeaned, defamed, deprived of honor. That phrase about the evil of money, which you mouth with such righteous recklessness, comes from a time when wealth was produced by the labor of slaves—slaves who repeated the motions once discovered by somebody's mind and left unimproved for centuries. So long as production was ruled by force, and wealth was obtained by conquest, there was little to conquer. Yet through all the centuries of stagnation and starvation, men exalted the looters, as aristocrats of the sword, as aristocrats of birth, as aristocrats of the bureau, and despised the producers, as slaves, as traders, as shopkeepers—as industrialists. "To the glory of mankind, there was, for the first and only time in history, a country of money—and I have no higher, more reverent tribute to pay to America, for this means: a country of reason, justice, freedom, production, achievement. For the first time, man's mind and money were set free, and there were no fortunes-by-conquest, but only fortunes-by-work, and instead of swordsmen and slaves, there appeared the real maker of wealth, the greatest worker, the highest type of human being—the self-made man—the American industrialist. "If you ask me to name the proudest distinction of Americans, I would choose—because it contains all the others—the fact that they were the people who created the phrase 'to make money.’ No other language or nation had ever used these words before; men had always thought of wealth as a static quantity—to be seized, begged, inherited, shared, looted or obtained as a favor. Americans were the first to understand that wealth has to be created. The words 'to make money' hold the essence of human morality. "Yet these were the words for which Americans were denounced by the rotted cultures of the looters' continents. Now the looters' credo has brought you to regard your proudest achievements as a hallmark of shame, your prosperity as guilt, your greatest men, the industrialists, as blackguards, and your magnificent factories as the product and property of muscular labor, the labor of whip-driven slaves, like the pyramids of Egypt. The rotter who simpers that he sees no difference between the power of the dollar and the power of the whip, ought to learn the difference on his own hide—as, I think, he will. "Until and unless you discover that money is the root of all good, you ask for your own destruction. When money ceases to be the tool by which men deal with one another, then men become the tools of men. Blood, whips and guns—or dollars. Take your choice—there is no other—and your time is running out." Francisco had not glanced at Rearden once while speaking; but the moment he finished, his eyes went straight to Rearden's face. Rearden stood motionless, seeing nothing but Francisco d'Anconia across the moving figures and angry voices between them. There were people who had listened, but now hurried away, and people who said, "It's horrible!"—"It's not true!"—"How vicious and selfish!"—saying it loudly and guardedly at once, as if wishing that their neighbors would hear them, but hoping that Francisco would not. "Senor d'Anconia," declared the woman with the earrings, "I don't agree with you!" "If you can refute a single sentence I uttered, madame, I shall hear it gratefully." "Oh, I can't answer you. I don't have any answers, my mind doesn't work that way, but I don't feel that you're right, so I know that you're wrong." "How do you know it?" "I feel it. I don't go by my head, but by my heart. You might be good at logic, but you're heartless." "Madame, when we'll see men dying of starvation around us, your heart won't be of any earthly use to save them. And I'm heartless enough to say that when you'll scream, 'But I didn't know it!'—you will not be forgiven." The woman turned away, a shudder running through the flesh of her cheeks and through the angry tremor of her voice: "Well, it's certainly a funny way to talk at a party!"
Rearden’s Sin
He threw the door open—and stopped. A single lamp was burning in a corner of the dimmed anteroom. The man who sat on the edge of a desk, in a pose of casual, patient waiting, was Francisco d'Anconia. Rearden stood still and caught a brief instant when Francisco, not moving, looked at him with the hint of an amused smile that was like a wink between conspirators at a secret they both understood, but would not acknowledge. It was only an instant, almost too brief to grasp, because it seemed to him that Francisco rose at once at his entrance, with a movement of courteous deference. The movement suggested a strict formality, the denial of any attempt at presumption—but it stressed the intimacy of the fact that he uttered no word of greeting or explanation. Rearden asked, his voice hard, "What are you doing here?" "I thought that you would want to see me tonight, Mr. Rearden." "Why?" "For the same reason that has kept you so late in your office. You were not working." "How long have you been sitting here?" "An hour or two." "Why didn't you knock at my door?" "Would you have allowed me to come in?" "You're late in asking that question," "Shall I leave, Mr. Rearden?" Rearden pointed to the door of his office. "Come in." Turning the lights on in the office, moving with unhurried control, Rearden thought that he must not allow himself to feel anything, but felt the color of life returning to him in the tensely quiet eagerness of an emotion which he would not identify. What he told himself consciously was: Be careful. He sat down on the edge of his desk, crossed his arms, looked at Francisco, who remained standing respectfully before him, and asked with the cold hint of a smile, "Why did you come here?" "You don't want me to answer, Mr. Rearden. You wouldn't admit to me or to yourself how desperately lonely you are tonight. If you don't question me, you won't feel obliged to deny it. Just accept what you do know, anyway: that I know it." Taut like a string pulled by anger against the impertinence at one end and by admiration for the frankness at the other, Rearden answered, "I'll admit it, if you wish. What should it matter to me, that you know it?" "That I know and care, Mr. Rearden. I'm the only man around you who does." "Why should you care? And why should I need your help tonight?" "Because it's not easy to have to damn the man who meant most to you." "I wouldn't damn you if you'd only stay away from me." Francisco's eyes widened a little, then he grinned and said, "I was speaking of Mr. Danagger." For an instant, Rearden looked as if he wanted to slap his own face, then he laughed softly and said, "All right. Sit down." He waited to see what advantage Francisco would take of it now, but Francisco obeyed him in silence, with a smile that had an oddly boyish quality: a look of triumph and gratitude, together. "I don't damn Ken Danagger," said Rearden. "You don't?" The two words seemed to fall with a singular emphasis; they were pronounced very quietly, almost cautiously, with no remnant of a smile on Francisco's face. "No. I don't try to prescribe how much a man should have to bear. If he broke, it's not for me to judge him." "If he broke . . . ?" "Well, didn't he?" Francisco leaned back; his smile returned, but it was not a happy smile. "What will his disappearance do to you?" "I will just have to work a little harder." Francisco looked at a steel bridge traced in black strokes against red steam beyond the window, and said, pointing, "Every one of those girders has a limit to the load it can carry. What's yours?" Rearden laughed. "Is that what you're afraid of? Is that why you came here? Were you afraid I'd break? Did you want to save me, as Dagny Taggart wanted to save Ken Danagger? She tried to reach him in time, but couldn't." "She did? I didn't know it. Miss Taggart and I disagree about many things." "Don't worry. I'm not going to vanish. Let them all give up and stop working. I won't. I don't know my limit and don't care. All I have to know is that I can't be stopped." "Any man can be stopped, Mr. Rearden." "How?" "It's only a matter of knowing man's motive power." "What is it?" "You ought to know, Mr. Rearden. You're one of the last moral men left to the world." Rearden chuckled in bitter amusement. "I've been called just about everything but that. And you're wrong. You have no idea how wrong." "Are you sure?" "I ought to know. Moral? What on earth made you say it?" Francisco pointed to the mills beyond the window. "This." For a long moment, Rearden looked at him without moving, then asked only, "What do you mean?" "If you want to see an abstract principle, such as moral action, in material form—there it is. Look at it, Mr. Rearden. Every girder of it, every pipe, wire and valve was put there by a choice in answer to the question: right or wrong? You had to choose right and you had to choose the best within your knowledge—the best for your purpose, which was to make steel—and then move on and extend the knowledge, and do better, and still better, with your purpose as your standard of value. You had to act on your own judgment, you had to have the capacity to judge, the courage to stand on the verdict of your mind, and the purest, the most ruthless consecration to the rule of doing right, of doing the best, the utmost best possible to you. Nothing could have made you act against your judgment, and you would have rejected as wrong—as evil—any man who attempted to tell you that the best way to heat a furnace was to fill it with ice. Millions of men, an entire nation, were not able to deter you from producing Rearden Metal—because you had the knowledge of its superlative value and the power which such knowledge gives. But what I wonder about, Mr. Rearden, is why you live by one code of principles when you deal with nature and by another when you deal with men?" Rearden's eyes were fixed on him so intently that the question came slowly, as if the effort to pronounce it were a distraction: "What do you mean?" "Why don't you hold to the purpose of your life as clearly and rigidly as you hold to the purpose of your mills?" "What do you mean?" "You have judged every brick within this place by its value to the goal of making steel. Have you been as strict about the goal which your work and your steel are serving? What do you wish to achieve by giving your life to the making of steel? By what standard of value do you judge your days? For instance, why did you spend ten years of exacting effort to produce Rearden Metal?" Rearden looked away, the slight, slumping movement of his shoulders like a sigh of release and disappointment. "If you have to ask that, then you wouldn't understand." "If I told you that I understand it, but you don't—would you throw me out of here?" "T should have thrown you out of here anyway—so go ahead, tell me what you mean." "Are you proud of the rail of the John Galt Line?" "Yes." "Why?" "Because it's the best rail ever made." "Why did you make it?" "In order to make money." "There were many easier ways to make money. Why did you choose the hardest?" "You said it in your speech at Taggart's wedding: in order to exchange my best effort for the best effort of others." "If that was your purpose, have you achieved it?" A beat of time vanished in a heavy drop of silence. "No," said Rearden. "Have you made any money?" "No." "When you strain your energy to its utmost in order to produce the best, do you expect to be rewarded for it or punished?" Rearden did not answer. "By every standard of decency, of honor, of justice known to you—are you convinced that you should have been rewarded for it?" "Yes," said Rearden, his voice low. "Then if you were punished, instead—what sort of code have you accepted?" Rearden did not answer. "It is generally assumed," said Francisco, "that living in a human society makes one's life much easier and safer than if one were left alone to struggle against nature on a desert island. Now wherever there is a man who needs or uses metal in any way-—Rearden Metal has made his life easier for him. Has it made yours easier for you?" "No," said Rearden, his voice low. "Has it left your life as it was before you produced the Metal?" "No—" said Rearden, the word breaking off as if he had cut short the thought that followed. Francisco's voice lashed at him suddenly, as a command: "Say it!" "It has made it harder," said Rearden tonelessly. "When you felt proud of the rail of the John Galt Line," said Francisco, the measured rhythm of his voice giving a ruthless clarity to his words, "what sort of men did you think of? Did you want to see that Line used by your equals—by giants of productive energy, such as Ellis Wyatt, whom it would help to reach higher and still higher achievements of their own?" "Yes," said Rearden eagerly. "Did you want to see it used by men who could not equal the power of your mind, but who would equal your moral integrity—men such as Eddie Willers—who could never invent your Metal, but who would do their best, work as hard as you did, live by their own effort, and—riding on your rail—give a moment's silent thanks to the man who gave them more than they could give him?" "Yes," said Rearden gently. "Did you want to see it used by whining rotters who never rouse themselves to any effort, who do not possess the ability of a filing clerk, but demand the income of a company president, who drift from failure to failure and expect you to pay their bills, who hold their wishing as an equivalent of your work and their need as a higher claim to reward than your effort, who demand that you serve them, who demand that it be the aim of your life to serve them, who demand that your strength be the voiceless, rightless, unpaid, unrewarded slave of their impotence, who proclaim that you are born to serfdom by reason of your genius, while they are born to rule by the grace of incompetence, that yours is only to give, but theirs only to take, that yours is to produce, but theirs to consume, that you are not to be paid, neither in matter nor in spirit, neither by wealth nor by recognition nor by respect nor by gratitude—so that they would ride on your rail and sneer at you and curse you, since they owe you nothing, not even the effort of taking off their hats which you paid for? Would this be what you wanted? Would you feel proud of it?" 'I'd blast that rail first," said Rearden, his lips white. 'Then why don't you do it, Mr. Rearden? Of the three kinds of men I described—which men are being destroyed and which are using your Line today?" They heard the distant metal heartbeats of the mills through the long thread of silence. "What I described last," said Francisco, "is any man who proclaims his right to a single penny of another man's effort." Rearden did not answer; he was looking at the reflection of a neon sign on dark windows in the distance. "You take pride in setting no limit to your endurance, Mr. Rearden, because you think that you are doing right. What if you aren't? What if you're placing your virtue in the service of evil and letting it become a tool for the destruction of everything you love, respect and admire? Why don't you uphold your own code of values among men as you do among iron smelters? You who won't allow one per cent of impurity into an alloy of metal—what have you allowed into your moral code?" Rearden sat very still; the words in his mind were like the beat of steps down the trail he had been seeking; the words were: the sanction of the victim. "You, who would not submit to the hardships of nature, but set out to conquer it and placed it in the service of your joy and your comfort—to what have you submitted at the hands of men? You, who know from your work that one bears punishment only for being wrong —what have you been willing to bear and for what reason? All your life, you have heard yourself denounced, not for your faults, but for your greatest virtues. You have been hated, not for your mistakes, but for your achievements. You have been scorned for all those qualities of character which are your highest pride. You have been called selfish for the courage of acting on your own judgment and bearing sole responsibility for your own life. You have been called arrogant for your independent mind. You have been called cruel for your unyielding integrity. You have been called anti-social for the vision that made you venture upon undiscovered roads. You have been called ruthless for the strength and selfdiscipline of your drive to your purpose. You have been called greedy for the magnificence of your power to create wealth. You, who've expended an inconceivable flow of energy, have been called a parasite. You, who've created abundance where there had been nothing but wastelands and helpless, starving men before you, have been called a robber. You, who've kept them all alive, have been called an exploiter. You, the purest and most moral man among them, have been sneered at as a 'vulgar materialist.' Have you stopped to ask them: by what right?—by what code?—by what standard? No, you have borne it all and kept silent. You bowed to their code and you never upheld your own. You knew what exacting morality was needed to produce a single metal nail, but you let them brand you as immoral. You knew that man needs the strictest code of values to deal with nature, but you thought that you needed no such code to deal with men. You left the deadliest weapon in the hands of your enemies, a weapon you never suspected or understood. Their moral code is their weapon. Ask yourself how deeply and in how many terrible ways you have accepted it. Ask yourself what it is that a code of moral values does to a man's life, and why he can't exist without it, and what happens to him if he accepts the wrong standard, by which the evil is the good. Shall I tell you why you're drawn to me, even though you think you ought to damn me? It's because I'm the first man who has given you what the whole world owes you and what you should have demanded of all men before you dealt with them: a moral sanction." Rearden whirled to him, then remained still, with a stillness like a gasp. Francisco leaned forward, as if he were reaching the landing of a dangerous flight, and his eyes were steady, but their glance seemed to tremble with intensity. "You're guilty of a great sin, Mr. Rearden, much guiltier than they tell you, but not in the way they preach. The worst guilt is to accept an undeserved guilt—and that is what you have been doing all your life. You have been paying blackmail, not for your vices, but for your virtues. You have been willing to carry the load of an unearned punishment—and toilet it grow the heavier the greater the virtues you practiced. But your virtues were those which keep men alive. Your own moral code—the one you lived by, but never stated, acknowledged or defended—was the code that preserves man's existence. If you were punished for it, what was the nature of those who punished you? Yours was the code of life. What, then, is theirs? What standard of value lies at its root? What is its ultimate purpose? Do you think that what you're facing is merely a conspiracy to seize your wealth? You, who know the source of wealth, should know it's much more and much worse than that. Did you ask me to name man's motive power? Man's motive power is his moral code. Ask yourself where their code is leading you and what it offers you as your final goal. A viler evil than to murder a man, is to sell him suicide as an act of virtue. A viler evil than to throw a man into a sacrificial furnace, is to demand that he leap in, of his own will, and that he build the furnace, besides. By their own statement, it is they who need you and have nothing to offer you in return. By their own statement, you must support them because they cannot survive without you. Consider the obscenity of offering their impotence and their need—their need of you—as a justification for your torture. Are you willing to accept it? Do you care to purchase—at the price of your great endurance, at the price of your agony—the satisfaction of the needs of your own destroyers?" "No!" "Mr. Rearden," said Francisco, his voice solemnly calm, "if you saw Atlas, the giant who holds the world on his shoulders, if you saw that he stood, blood running down his chest, his knees buckling, his arms trembling but still trying to hold the world aloft with the last of his strength, and the greater his effort the heavier the world bore down upon his shoulders—what would you tell him to do?" "I . . . don't know. What . . . could he do? What would you tell him?" "To shrug."
Scientific Inquiry
"You know, Dr. Stadler once said that the first word of 'Free, scientific inquiry' was redundant. He seems to have forgotten it. Well, I'll just say that 'Governmental scientific inquiry' is a contradiction in terms."
Lillian’s Endgame #1
He turned the key in the door of his hotel suite, hoping to get back to a desk as fast as possible and have to see nothing around him. They hit his consciousness together: the breakfast table—the door to his bedroom., open upon the sight of a bed that had been slept in—and Lillian's voice saying, "Good morning, Henry." She sat in an armchair, wearing the suit she had worn yesterday, without the jacket or hat; her white blouse looked smugly crisp. There were remnants of a breakfast on the table. She was smoking a cigarette, with the air and pose of a long, patient vigil. As he stood still, she took the time to cross her legs and settle down more comfortably, then asked, "Aren't you going to say anything, Henry?" He stood like a man in military uniform at some official proceedings where emotions could not be permitted to exist. "It is for you to speak." "Aren't you going to try to justif "I said I won't answer." She shrugged. "I suppose it makes no difference. There's only one standard type for the one standard purpose. I've always known that under that ascetic look of yours you were a plain, crude sensualist who sought nothing from a woman except an animal satisfaction which I pride myself on not having given you. I knew that your vaunted sense of honor would collapse some day and you would be drawn to the lowest, cheapest type of female, just like any other cheating husband." She chuckled. "That great admirer of yours, Miss Dagny Taggart, was furious at me for the mere hint of a suggestion that her hero wasn't as pure as his stainless, non-corrosive rail. And she was naive enough to imagine that I could suspect her of being the type men find attractive for a relationship in which what they seek is most notoriously not brains. I knew your real nature and inclinations. Didn't I?" He said nothing. "Do you know what [ think of you now?" "You have the right to condemn me in any way you wish." She laughed. "The great man who was so contemptuous—in business—of weaklings who trimmed corners or fell by the wayside, because they couldn't match his strength of character and steadfastness of purpose! How do you feel about it now?" "My feelings need not concern you. You have the right to decide what you wish me to do. I will agree to any demand you make, except one: don't ask me to give it up." "Oh, I wouldn't ask you to give it up! I wouldn't expect you to change your nature. This is your true level—under all that self-made grandeur of a knight of industry who rose by sheer genius from the ore mine gutters to finger bowls and white tie! It fits you welt, that white tie, to come home in at eleven o'clock in the morning! You never rose out of the ore mines, that's where you belong—all of you self-made princes of the cash register—in the corner saloon on Saturday night, with the traveling salesmen and the dancehall girls!" "Do you wish to divorce me?" "Oh, wouldn't you like that! Wouldn't that be a smart trade to pull! Don't you suppose I know that you've wanted to divorce me since the first month of our marriage?" "If that is what you thought, why did you stay with me?" She answered severely, "It's a question you have lost the right to ask." "That's true," he said, thinking that only one conceivable reason, her love for him, could justify her answer. "No, I'm not going to divorce you. Do you suppose that I will allow your romance with a floozie to deprive me of my home, my name, my social position? I shall preserve such pieces of my life as I can, whatever does not rest on so shoddy a foundation as your fidelity. Make no mistake about it: I shall never give you a divorce. Whether you like it or not, you're married and you'll stay married." "I will, if that is what you wish." "And furthermore, I will not consider—incidentally, why don't you sit down?" He remained standing. "Please say what you have to say." "I will not consider any unofficial divorce, such as a separation. You may continue your love idyll in the subways and basements where it belongs, but in the eyes of the world I will expect you to remember that I am Mrs. Henry Rearden. You have always proclaimed such an exaggerated devotion to honesty— now let me see you be condemned to the life of the hypocrite that you really are. I will expect you to maintain your residence at the home which is officially yours, but will now be mine." "If you wish." She leaned back loosely, in a manner of untidy relaxation, her legs spread apart, her arms resting in two strict parallels on the arms of the chair—like a judge who could permit himself to be sloppy. "Divorce?" she said, chuckling coldly. "Did you think you'd get off as easily as that? Did you think you'd get by at the price of a few of your millions tossed off as alimony? You're so used to purchasing whatever you wish by the simple means of your dollars, that you cannot conceive of things that are non-commercial, non-negotiable, non-subject to any kind of trade. You're unable to believe that there may exist a person who feels no concern for money. You cannot imagine what that means. Well, I think you're going to learn. Oh yes, of course you'll agree to any demand I make, from now on. I want you to sit in that office of which you're so proud, in those precious mills of yours, and play the hero who works eighteen hours a day, the giant of industry who keeps the whole country going, the genius who is above the common herd of whining, lying, chiseling humanity. Then I want you to come home and face the only person who knows you for what you really are, who knows the actual value of your word, of your honor, of your integrity, of your vaunted self-esteem. I want you to face, in your own home, the one person who despises you and has the right to do so. I want you to look at me whenever you build another furnace, or pour another record breaking load of steel, or hear applause and admiration, whenever you feel proud of yourself, whenever you feel clean, whenever you feel drunk on the sense of your own greatness. I want you to look at me whenever you hear of some act of depravity, or feel anger at human corruption, or feel contempt for someone's knavery, or are the victim of a new governmental extortion—to look and to know that you're no better, that you're superior to no one, that there's nothing you have the right to condemn. I want you to look at me and to learn the fate of the man who tried to build a tower to the sky, or the man who wanted to reach the sun on wings made of wax—or you, the man who wanted to hold himself as perfect!" Somewhere outside of him and apart, as if he were reading it in a brain not his own, he observed the thought that there was some flaw in the scheme of the punishment she wanted him to bear, something wrong by its own terms, aside from its propriety or justice, some practical miscalculation that would demolish it all if discovered. He did not attempt to discover it. The thought went by as a moment's notation, made in cold curiosity, to be brought back in some distant future. There was nothing within him now with which to feel interest or to respond. His own brain was numb with the effort to hold the last of his sense of justice against so overwhelming a tide of revulsion that it swamped Lillian out of human form, past all his pleas to himself that he had no right to feel it. If she was loathsome, he thought, it was he who had brought her to it; this was her way of taking pain—no one could prescribe the form of a human being's attempt to bear suffering—no one could blame—above all, not he, who had caused it. But he saw no evidence of pain in her manner. Then perhaps the ugliness was the only means she could summon to hide it, he thought. Then he thought of nothing except of withstanding the revulsion, for the length of the next moment and of the next. When she stopped speaking, he asked, "Have you finished?" "Yes, I believe so." "Then you had better take the train home now." When he undertook the motions necessary to remove his evening clothes, he discovered that his muscles felt as if he were at the end of a long day of physical labor. His starched shirt was limp with sweat. There was neither thought nor feeling left in him, nothing but a sense that merged the remnants of both, the sense of congratulation upon the greatest victory he had ever demanded of himself: that Lillian had walked out of the hotel suite alive.
Rearden and Ferris Skirmish
Entering Rearden's office, Dr. Floyd Ferris wore the expression of a man so certain of the success of his quest that he could afford a benevolent smile. He spoke with a smooth, cheerful assurance; Rearden had the impression that it was the assurance of a cardsharp who has spent a prodigious effort in memorizing every possible variation of the pattern, and is now safe in the knowledge that every card in the deck is marked. "Well, Mr. Rearden," he said, by way of greeting, "I didn't know that even a hardened hound of public functions and shaker of famous hands, like myself, could still get a thrill out of meeting an eminent man, but that's what I feel right now, believe it or not." "How do you do," said Rearden. Dr. Ferris sat down and made a few remarks about the colors of the leaves in the month of October, as he had observed them by the roadside on his long drive from Washington, undertaken specifically for the purpose of meeting Mr. Rearden in person. Rearden said nothing. Dr. Ferris looked out the window and commented on the inspiring sight of the Rearden mills which, he said, were one of the most valuable productive enterprises in the country. "That is not what you thought of my product a year and a half ago," said Rearden. Dr. Ferris gave a brief frown, as if a dot of the pattern had slipped and almost cost him the game, then chuckled, as if he had recaptured it. "That was a year and a half ago, Mr. Rearden," he said easily. "Times change, and people change with the times—the wise ones do. Wisdom lies in knowing when to remember and when to forget. Consistency is not a habit of mind which it is wise to practice or to expect of the human race." He then proceeded to discourse upon the foolishness of consistency in a world where nothing was absolute except the principle of compromise. He talked earnestly, but in a casual manner, as if they both understood that this was not the main subject of their interview; yet, oddly, he spoke not in the tone of a foreword, but in the tone of a postscript, as if the main subject had been settled long ago. Rearden waited for the first "Don't you think so?” and answered, "Please state the urgent matter for which you requested this appointment." Dr. Ferris looked astonished and blank for a moment, then said brightly, as if remembering an unimportant subject which could be disposed of without effort, "Oh, that? That was in regard to the dates of delivery of Rearden Metal to the State Science Institute. We should like to have five thousand tons by the first of December, and then we'll be quite agreeable to waiting for the balance of the order until after the first of the year." Rearden sat looking at him silently for a long time; each passing moment had the effect of making the gay intonations of Dr. Ferris' voice, still hanging in the air of the room, seem more foolish. When Dr. Ferris had begun to dread that he would not answer at all, Rearden answered, "Hasn't the traffic cop with the leather leggings, whom you sent here, given you a report on his conversation with me?" "Why, yes, Mr. Rearden, but—" "What else do you want to hear?" "But that was five months ago, Mr. Rearden. A certain event has taken place since, which makes me quite sure that you have changed your mind and that you will make no trouble for us at all, just as we will make no trouble for you." "What event?" "An event of which you have far greater knowledge than I—but, you see, I do have knowledge of it, even though you would much prefer me to have none." "What event?" "Since it is your secret, Mr. Rearden, why not let it remain a secret? Who doesn't have secrets nowadays? For instance, Project X is a secret. You realize, of course, that we could obtain your Metal simply by having it purchased in smaller quantities by various government offices who would then transfer it to us—and you would not be able to prevent it. But this would necessitate our letting a lot of lousy bureaucrats"—Dr. Ferris smiled with disarming frankness—"oh yes, we are as unpopular with one another as we are with you private citizens—it would necessitate our letting a lot of other bureaucrats in on the secret of Project X, which would be highly undesirable at this time. And so would any newspaper publicity about the Project—if we put you on trial for refusal to comply with a government order. But if you had to stand trial on another, much more serious charge, where Project X and the State Science Institute were not involved, and where you could not raise any issue of principle or arouse any public sympathy—why, that would not inconvenience us at all, but it would cost you more than you would care to contemplate. Therefore, the only practical thing for you to do is to help us keep our secret and get us to help you keep yours—and, as I'm sure you realize, we are fully able to keep any of the bureaucrats safely off your trail for as long as we wish," "What event, what secret and what trail?" "Oh, come, Mr. Rearden, don't be childish! The four thousand tons of Rearden Metal which you delivered to Ken Danagger, of course," said Dr. Ferris lightly. Rearden did not answer. "Issues of. principle are such a nuisance," said Dr. Ferris, smiling, "and such a waste of time for all concerned. Now would you care to be a martyr for an issue of principle, only in circumstances where nobody will know that that's what you are—nobody but you and me—where you won't get a chance to breathe a word about the issue or the principle—where you won't be a hero, the creator of a spectacular new metal, making a stand against enemies whose actions might appear somewhat shabby in the eyes of the public—where you won't be a hero, but a common criminal, a greedy industrialist who's cheated the law for a plain motive of profit, a racketeer of the black market who's broken the national regulations designed to protect the public welfare—a hero without glory and without public, who'll accomplish no more than about half a column of newsprint somewhere on page five—now would you still care to be that kind of martyr? Because that's just what the issue amounts to now: either you let us have the Metal or you go to jail for ten years and take your friend Danagger along, too." As a biologist, Dr. Ferris had always been fascinated by the theory that animals had the capacity to smell fear; he had tried to develop a similar capacity in himself. Watching Rearden, he concluded that the man had long since decided to give in—because he caught no trace of any fear. "Who was your informer?" asked Rearden. "One of your friends, Mr. Rearden. The owner of a copper mine in Arizona, who reported to us that you had purchased an extra amount of copper last month, above the regular tonnage required for the monthly quota of Rearden Metal which the law permits you to produce. Copper is one of the ingredients of Rearden Metal, isn't it? That was all the information we needed. The rest was easy to trace. You mustn't blame that mine owner too much. The copper producers, as you know, are being squeezed so badly right now that the man had to offer something of value in order to obtain a favor, an 'emergency need' ruling which suspended a few of the directives in his case and gave him a little breathing spell. The person to whom he traded his information knew where it would have the highest value, so he traded it to me, in return for certain favors he needed. So all the necessary evidence, as well as the next ten years of your life, are now in my possession—and I am offering you a trade. I'm sure you won't object, since trade is your specialty. The form may be a little different from what it was in your youth—but you're a smart trader, you've always known how to take advantage of changing conditions, and these are the conditions of our day, so it should not be difficult for you to see where your interests lie and to act accordingly." Rearden said calmly, "In my youth, this was called blackmail." Dr. Ferris grinned. "That's what it is, Mr. Rearden. We've entered a much more realistic age." But there was a peculiar difference, thought Rearden, between the manner of a plain blackmailer and that of Dr. Ferris. A blackmailer would show signs of gloating over his victim's sin and of acknowledging its evil, he would suggest a threat to the victim and a sense of danger to them both. Dr. Ferris conveyed none of it. His manner was that of dealing with the normal and the natural, it suggested a sense of safety, it held no tone of condemnation, but a hint of comradeship, a comradeship based—for both of them—on self-contempt. The sudden feeling that made Rearden lean forward in a posture of eager attentiveness, was the feeling that he was about to discover another step along his half glimpsed trail. Seeing Rearden's look of interest, Dr. Ferris smiled and congratulated himself on having caught the right key. The game was clear to him now, the markings of the pattern were falling in the right order; some men, thought Dr. Ferris, would do anything so long as it was left unnamed, but this man wanted frankness, this was the tough realist he had expected to find. "You're a practical man, Mr. Rearden," said Dr. Ferris amiably. "I can't understand why you should want to stay behind the times. Why don't you adjust yourself and play it right? You're smarter than most of them. You're a valuable person, we've wanted you for a long time, and when I heard that you were trying to string along with Jim Taggart, I knew you could be had. Don't bother with Jim Taggart, he's nothing, he's just flea-bait. Get into the big game. We can use you and you can use us. Want us to step on Orren Boyle for you? He's given you an awful beating, want us to trim him down a little? It can be done. Or want us to keep Ken Danagger in line? Look how impractical you've been about that. I know why you sold him the Metal—it's because you need him to get coal from. So you take a chance on going to jail and paying huge fines, just to keep on the good side of Ken Danagger. Do you call that good business? Now, make a deal with us and just let Mr. Danagger understand that if he doesn't toe the line, he'll go to jail, but you won't, because you've got friends he hasn't got—and you'll never have to worry about your coal supply from then on. Now that's the modern way of doing business. Ask yourself which way is more practical. And whatever anyone's said about you, nobody's ever denied that you're a great businessman and a hard-headed realist." "That's what I am," said Rearden. "That's what I thought," said Dr. Ferris. "You rose to riches in an age when most men were going bankrupt, you've always managed to blast obstacles, to keep your mills going and to make money—that's your reputation—so you wouldn't want to be impractical now, would you? What for? What do you care, so long as you make money? Leave the theories to people like Bertram Scudder and the ideals to people like Balph Eubank—and be yourself. Come down to earth. You're not the man who'd let sentiment interfere with business." "No," said Rearden slowly, "I wouldn't. Not any kind of sentiment." Dr. Ferris smiled. "Don't you suppose we knew it?" he said, his tone suggesting that he was letting his patent-leather hair down to impress a fellow criminal by a display of superior cunning. "We've waited a long time to get something on you. You honest men are such a problem and such a headache. But we knew you'd slip sooner or later—and this is just what we wanted." "You seem to be pleased about it." "Don't I have good reason to be?" "But, after all, I did break one of your laws." "Well, what do you think they're for?" Dr. Ferris did not notice the sudden look on Rearden's face, the look of a man hit by the first vision of that which he had sought to see. Dr. Ferris was past the stage of seeing; he was intent upon delivering the last blows to an animal caught in a trap. "Did you really think that we want those laws to be observed?" said Dr. Ferris. "We want them broken. You'd better get it straight that it's not a bunch of boy scouts you're up against—then you'll know that this is not the age for beautiful gestures. We're after power and we mean it. You fellows were pikers, but we know the real trick, and you'd better get wise to it. There's no way to rule innocent men. The only power any government has is the power to crack down on criminals. Well, when there aren't enough criminals, one makes them. One declares so many things to be a crime that it becomes impossible for men to live without breaking laws. Who wants a nation of law-abiding citizens? What's there in that for anyone? But just pass the kind of laws that can neither be observed nor enforced nor objectively interpreted—and you create a nation of law-breakers—and then you cash in on guilt. Now that's the system, Mr. Rearden, that's the game, and once you understand it, you'll be much easier to deal with." Watching Dr. Ferris watch him, Rearden saw the sudden twitch of anxiety, the look that precedes panic, as if a clean card had fallen on the table from a deck Dr. Ferris had never seen before. What Dr. Ferris was seeing in Rearden's face was the look of luminous serenity that comes from the sudden answer to an old, dark problem, a look of relaxation and eagerness together; there was a youthful clarity in Rearden's eyes and the faintest touch of contempt in the line of his mouth. Whatever this meant—and Dr. Ferris could not decipher it —he was certain of one thing: the face held no sign of guilt. "There's a flaw in your system, Dr. Ferris,” Rearden said quietly, almost lightly, "a practical flaw which you will discover when you put me on trial for selling four thousand tons of Rearden Metal to Ken Danagger." It took twenty seconds—Rearden could feel them moving past slowly—at the end of which Dr. Ferris became convinced that he had heard Rearden's final decision. "Do you think we're bluffing?" snapped Dr. Ferris; his voice suddenly had the quality of the animals he had spent so much time studying: it sounded as if he were baring his teeth. "I don't know," said Rearden. "I don't care, one way or the other." "Are you going to be as impractical as that?" "The evaluation of an action as 'practical,' Dr. Ferris, depends on what it is that one wishes to practice." "Haven't you always placed your self-interest above all else?" "That is what I am doing right now." "If you think we'll let you get away with a—" "You will now please get out of here." "Whom do you think you're fooling?" Dr. Ferris' voice had risen close to the edge of a scream. "The day of the barons of industry is done! You've got the goods, but we've got the goods on you, and you're going to play it our way or you'll—" Rearden had pressed a button; Miss Ives entered the office. "Dr. Ferris has become confused and has lost his way, Miss Ives," said Rearden. "Will you escort him out please?" He turned to Ferris. "Miss Ives is a woman, she weighs about a hundred pounds, and she has no practical qualifications at all, only a superlative intellectual efficiency. She would never do for a bouncer in a saloon, only in an impractical place, such as a factory." Miss Ives looked as if she was performing a duty of no greater emotional significance than taking dictation about a list of shipping invoices. Standing straight in a disciplined manner of icy formality, she held the door open, let Dr. Ferris cross the room, then walked out first; Dr. Ferris followed. She came back a few minutes later, laughing in uncontrollable exultation. "Mr. Rearden," she asked, laughing at her fear for him, at their danger, at everything but the triumph of the moment, "what is it you're doing?" He sat in a pose he had never permitted himself before, a pose he had resented as the most vulgar symbol of the businessman—he sat leaning back in his chair, with his feet on his desk—and it seemed to her that the posture had an air of peculiar nobility, that it was not the pose of a stuffy executive, but of a young crusader. "I think I'm discovering a new continent, Owen," he answered cheerfully. "A continent that should have been discovered along with America, but wasn't." "I have to speak of it to you" said Eddie Willers, looking at the worker across the table. "I don't know why it helps me, but it does— just to know that you're hearing me." It was late and the lights of the underground cafeteria were low, but Eddie Willers could see the worker's eyes looking at him intently. "I feel as if . . . as if there's no people and no human language left," said Eddie Willers. "I feel that if I were to scream in the middle of the streets, there would be no one to hear it. . . . No, that's not quite what I feel, it's this: I feel that someone is screaming in the middle of the streets, but people are passing by and no sound can reach them —and it's not Hank Rearden or Ken Danagger or I who's screaming, and yet it seems as if it's all three of us. . . . Don't you see that somebody should have risen to defend them, but nobody has or will?”
Francisco’s Morals
Every girder of it, every pipe, wire and valve was put there by a choice in answer to the question: right or wrong? You had to choose right and you had to choose the best within your knowledge—the best for your purpose, which was to make steel—and then move on and extend the knowledge, and do better, and still better, with your purpose as your standard of value. You had to act on your own judgment, you had to have the capacity to judge, the courage to stand on the verdict of your mind, and the purest, the most ruthless consecration to the rule of doing right, of doing the best, the utmost best possible to you. Nothing could have made you act against your judgment, and you would have rejected as wrong—as evil—any man who attempted to tell you that the best way to heat a furnace was to fill it with ice.
Hank Dodging Lillian’s Mates
"I think you should abandon the illusion of your own perfection, which you know full well to be an illusion. I think you should learn to get along with other people. The day of the hero is past. This is the day of humanity, in a much deeper sense than you imagine. Human beings are no longer expected to be saints nor to be punished for their sins. Nobody is right or wrong, we're all in it together, we're all human—and the human is the imperfect. You'll gain nothing tomorrow by proving that they're wrong. You ought to give in with good grace, simply because it's the practical thing to do. You ought to keep silent, precisely because they're wrong. They'll appreciate it. Make concessions for others and they'll make concessions for you. Live and let live. Give and take. Give in and take in. That's the policy of our age—and it's time you accepted it. Don't tell me you're too good for it. You know that you're not. You know that I know it." The look of his eyes, held raptly still upon some point in space, was not in answer to her words; it was in answer to a man's voice saying to him, "Do you think that what you're facing is merely a conspiracy to seize your wealth? You, who know the source of wealth, should know it's much more and much worse than that." He turned to look at Lillian. He was seeing the full extent of her failure—in the immensity of his own indifference. The droning stream of her insults was like the sound of a distant riveting machine, a long, impotent pressure that reached nothing within him. He had heard her studied reminders of his guilt on every evening he had spent at home in the past three months. But guilt had been the one emotion he had found himself unable to feel. The punishment she had wanted to inflict on him was the torture of shame; what she had inflicted was the torture of boredom. He remembered his brief glimpse—on that morning in the Wayne Falkland Hotel—of a flaw in her scheme of punishment, which he had not examined. Now he stated it to himself for the first time. She wanted to force upon him the suffering of dishonor—but his own sense of honor was her only weapon of enforcement. She wanted to wrest from him an acknowledgment of his moral depravity—but only his own moral rectitude could attach significance to such a verdict. She wanted to injure him by her contempt—but he could not be injured, unless he respected her judgment. She wanted to punish him for the pain he had caused her and she held her pain as a gun aimed at him, as if she wished to extort his agony at the point of his pity. But her only tool was his own benevolence, his concern for her, his compassion. Her only power was the power of his own virtues. What if he chose to withdraw it? An issue of guilt, he thought, had to rest on his own acceptance of the code of justice that pronounced him guilty. He did not accept it; he never had. His virtues, all the virtues she needed to achieve his punishment, came from another code and lived by another standard. He felt no guilt, no shame, no regret, no dishonor. He felt no concern for any verdict she chose to pass upon him: he had lost respect for her judgment long ago. And the sole chain still holding him was only a last remnant of pity. But what was the code on which she acted? What sort of code permitted the concept of a punishment that required the victim's own virtue as the fuel to make it work? A code—he thought—which would destroy only those who tried to observe it; a punishment, from which only the honest would suffer, while the dishonest would escape unhurt. Could one conceive of an infamy lower than to equate virtue with pain, to make virtue, not vice, the source and motive power of suffering? If he were the kind of rotter she was struggling to make him believe he was, then no issue of his honor and his moral worth would matter to him. If he wasn't, then what was the nature of her attempt? To count upon his virtue and use it as an instrument of torture, to practice blackmail with the victim's generosity as sole means of extortion, to accept the gift of a man's good will and turn it into a tool for the giver's destruction . . . he sat very still, contemplating the formula of so monstrous an evil that he was able to name it, but not to believe it possible. He sat very still, held by the hammering of a single question: Did Lillian know the exact nature of her scheme?—was it a conscious policy, devised with full awareness of its meaning? He shuddered; he did not hate her enough to believe it. He looked at her. She was absorbed, at the moment, in the task of cutting a plum pudding that stood as a mount of blue flame on a silver platter before her, its glow dancing over her face and her laughing mouth—she was plunging a silver knife into the flame, with a practiced, graceful curve of her arm. She had metallic leaves in the red, gold and brown colors of autumn scattered over one shoulder of her black velvet gown; they glittered in the candlelight. He could not get rid of the impression, which he had kept receiving and rejecting for three months, that her vengeance was not a form of despair, as he had supposed—the impression, which he regarded as inconceivable, that she was enjoying it. He could find no trace of pain in her manner. She had an air of confidence new to her. She seemed to be at home in her house for the first time. Even though everything within the house was of her own choice and taste, she had always seemed to act as the bright, efficient, resentful manager of a high-class hotel, who keeps smiling in bitter amusement at her position of inferiority to the owners. The amusement remained, but the bitterness was gone. She had not gained weight, but her features had lost their delicate sharpness in a blurring, softening look of satisfaction; even her voice sounded as if it had grown plump. He did not hear what she was saying; she was laughing in the last flicker of the blue flames, while he sat weighing the question: Did she know? He felt certain that he had discovered a secret much greater than the problem of his marriage, that he had grasped the formula of a policy practiced more widely throughout the world than he dared to contemplate at the moment. But to convict a human being of that practice was a verdict of irrevocable damnation, and he knew that he would not believe it of anyone, so long as the possibility of a doubt remained. No—he thought, looking at Lillian, with the last effort of his generosity— he would not believe it of her. In the name of whatever grace and pride she possessed—in the name of such moments when he had seen a smile of joy on her face, the smile of a living being—in the name of the brief shadow of love he had once felt for her—he would not pronounce upon her a verdict of total evil. The butter slipped a plate of plum pudding in front of him, and he heard Lillian's voice: "Where have you been for the last five minutes, Henry—or is it for the last century? You haven't answered me. You haven't heard a word I said." "I heard it," he answered quietly. "I don't know what you're trying to accomplish." "What a question!" said his mother. "Isn't that just like a man? She's trying to save you from going to jail—that's what she's trying to accomplish." That could be true, he thought; perhaps, by the reasoning of some crude, childish cowardice, the motive of their malice was a desire to protect him, to break him down into the safety of a compromise. It's possible, he thought— but knew that he did not believe it. "You've always been unpopular," said Lillian, "and it's more than a matter of any one particular issue. It's that unyielding, intractable attitude of yours. The men who're going to try you, know what you're thinking. That's why they'll crack down on you, while they'd let another man off." "Why, no. I don't think they know what I'm thinking. That's what I have to let them know tomorrow." "Unless you show them that you're willing to give in and co-operate, you won't have a chance. You've been too hard to deal with." "No. I've been too easy."